The Hollywood Agenda

The Treasure Room

The Treasure Room


The Golden Compass

The scholars got this special room where they deal with trespassers.

The Omen III: The Final ConflictThe Omen III: The Final Conflict

What perverted imagination has fed man the lie that Hell festers in the bowels of the earth? There is only one
hell: the monotony of human existence.


When Alice reaches the bottom of the rabbit hole, she finds herself in a strange, cube-shaped room.


Alice In Wonderland (1951)Alice In Wonderland (1951)


Alice In Wonderland (1951)

Alice In Wonderland (2010)Alice In Wonderland (2010)



You will have noticed the distinct checkerboard pattern of the floor. This is no accident, and is, in fact, the easiest if not the only infallible way to identify the inner chamber of the underground containing the treasure sought by the hero. The treasure room is wrought with danger and has no way of escape, unlike the rest of the underground. It is the secret lair of the antagonist, the “boss room” of a video game where he keeps his hoard of wealth (whether a wealth of knowledge or a wealth of precious objects, metals and stones). It is the secret of secrets, the place where secrets are revealed, initiations are performed and oaths are made. It is the Masonic lodge.


From HellFrom Hell



Checkered floors (especially with a black and white pattern) are common in films, but basically only in films laden with exoteric symbolism. It is uncommon to see them outside of any films which are not pushing either a pro-Illuminati or an anti-Illuminati agenda. It doesn’t matter where they are; they can be in home kitchens, in diners, in public restrooms, in the entrance hall or foyer of a mansion, or even outside. In all cases they represent the inner lair of the Illuminati or of Satan himself, a well-kept secret and a well-protected fortress of sorts.


Heroes Season 3, Episode 23Bewitched

Bee MovieWho Framed Roger Rabbit?

The PrestigeOctopussy

National Treasure: Book of SecretsNational Treasure: Book of Secrets



More often than not the hero is in the treasure room when he finds himself in the presence of Satan (or in some cases, the Antichrist) or realizes for the first time that he has already been used by him for some dark purpose. The Omen films use the motif for this purpose:


The Omen (1976)The Omen IV: The Awakening



The villain of Spider-Man (2002) realizes he is the Devil after he comes home to the room with the checkered floor:





The Ninth Gate (1999) uses it as a clue to show where Satan is:


The Ninth Gate



In Constantine (2005), John Constantine lives in an apartment with a checkered floor and goes to a church to meet Gabriel (the villain) with the same:





Contact (1997) uses the motif for its Search for Extra-Terrestrial Intelligence (SETI) operation, which ultimately does make contact with the ETs:





In Scott Pilgrim vs. the World (2010), Scott dreams that his crush Ramona visits him at his address of 27a (i.e., Sirius A) after he follows her through a hallway with the checkered floor, implying Sirian/ET contact:


Scott Pilgrim vs. the WorldScott Pilgrim vs. the World



Sometimes the image is used to convey an underground “prison” or advanced technology research center operated by the Greys, which is to say Tartarus in the Greek cosmology. In X-Men: The Last Stand (2006), Archangel escapes the clutches of his father who wants to turn him into a regular human by jumping out of the building and flying over a checkered terrace:


X-Men: The Last StandX-Men: The Last Stand



The main characters in Fanboys (2008) get caught in George Lucas’ treasure room and brought into this room to be threatened and interrogated:





In Shutter Island (2010), Ashecliffe Hospital for the criminally insane (where the main character is trapped) has the checkered floor:


Shutter Island



The treasure room always signifies grave danger. In each of the following cases, the protagonists are violently assaulted after arriving in the room, even though it is in their own home or secret hideout/safehouse.


The MatrixThe Matrix

The Mummy ReturnsThe Mummy Returns


Pan’s Labyrinth

Resident Evil



Sometimes it is the protagonists doing the attacking, especially in the case of an antihero like V in V for Vendetta (2006). In these cases it is because he is battling the evil mastermind who is the source of the story’s conflict. Either way, a battle takes place in the well-guarded home or secret lair of either the hero or the villain.


V For Vendetta

The Sorcerer’s Apprentice




This danger isn’t always immediately apparent. Sometimes a character finds himself being interrogated by his employers who are about to fire him. This is just the beginning of his problems; soon after he will find himself running or fighting for his life. This plot device is used, for example, in Enemy of the State (1998), Spider-Man 2 (2004) and Casino (1995):


Spider-Man 2Spider-Man




Scott Pilgrim and Dom Cobb both have to fight against their wills in public places with the checkered floor:


Scott Pilgrim vs. the WorldScott Pilgrim vs. the World




Harry Potter and his friends are being hunted and must fight for their lives or else risk putting their allies in danger by attempting a rendezvous:


Harry Potter and the Deathly Hallows Part 1

We’d put everyone in danger by going back.


About two-thirds of the James Bond 007 films since From Russia With Love (1963) have used the motif to signify danger when Bond is checking into a hotel (where he is bound to be attacked) or meeting his nemesis for the first time:


From Russia With Love


On Her Majesty’s Secret ServiceOn Her Majesty’s Secret Service

Diamonds Are ForeverDiamonds Are Forever

You Only Live TwiceYou Only Live Twice

You Only Live Twice

The Man With the Golden GunThe Man With the Golden Gun



For Your Eyes OnlyFor Your Eyes Only

Never Say Never AgainCasino Royale

Quantum of SolaceQuantum of Solace

Quantum of SolaceQuantum of Solace



Spielberg goes out of his way to inform us of his opinion of it in A.I. Artificial Intelligence (2001):


AI: Artificial IntelligenceAI: Artificial Intelligence

I like your floor.


This happens to be the same carpet design as where Logan nearly kills Rogue in X-Men (2000):





The significance of the black and white checkered pattern outside of the Masonic lodges should be apparent enough. It is the ultimate game of the battle of wits. It is no “coincidence,” therefore, that Harry Potter and his friends have to play a real-life game of chess with their lives hanging in the balance when they reach the Chamber of Secrets:


Harry Potter and the Sorcerer’s StoneHarry Potter and the Sorcerer’s Stone

It’s a chessboard.


Several of the Bond films start with a game of chess being played by the villains, or people acting as villains:


From Russia With LoveNever Say Never Again



Hackers (1995) depicts the protagonists playing against some Jews in New York when they receive the message to converge on Grand Central Terminal:





Arch-nemeses Charles Xavier (Professor X) and Erik Lensherr (Magneto) play chess in the X-Men films, and the whole storyline of Revolver (2005) centers around it:






Magneto reveals that the strategy is to send in the youths (i.e. Jews) so they can take the first hit without risking the more valuable pieces (the criminal masterminds):


X-Men: The Last Stand

In chess, the pawns go first. …


-Say ‘chess.’


Dr. Evil elaborates in Austin Powers: International Man of Mystery (1997):


Austin Powers: International Man of MysteryAustin Powers: International Man of Mystery

-Dr. Evil, do you really expect them to pay?
-No, Mr. Powers, I expect them to die.

Austin Powers: International Man of MysteryAustin Powers: International Man of Mystery

Even after they pay me the money, I’m still going to melt every city with liquid-hot magma.

X-Men: The Last Stand

That’s why the pawns go first.


Very often the hero will stumble straight into the treasure room or find a secret door or hidden passage without having passed through the underworld. This is still essentially the same plot device as the descent into the underworld though because he still crosses a threshold into Wonderland. In Tron: Legacy (2010), for instance, Sam Flynn (Garrett Hedlund) finds the fantasy world his father created (the Grid) by going through a room with the checkered floor and opening up a hidden passageway:


Tron: LegacyTron: Legacy



The same theme is repeated in many other science fiction films like Moon (2009) and Doom (2005):



-I bet there’s some kind of secret room.
-Yeah, and maybe you’ll find some buried treasure too.


Did you find the door?


You find your secret room? … I found your secret room.

Blade IIBlade II

-Where are we?
-Some kind of chamber deep in their lair.

Ocean’s ElevenOcean’s Eleven

No cameras in this room, huh? Don’t want anybody seeing what goes on in here.

Resident EvilResident Evil

Maybe the Corporation keeps secrets here, something you’re not supposed to see.

Astro BoyAstro Boy

You need 10 sets of eyes around here.


Contemporary films reveal the treasure room to be not so much a cave filled with gold trinkets which a dragon has been hoarding, but rather a place where alchemists are trained how to make gold from the more common base substances. They are trained from an early age how to steal the gold from the unwitting masses with their consent. The Masonic lodge is not so much a bank vault as it is an initiation chamber. They aren’t so worried about losing their hoard as they are losing their power. They can always print more money. The chamber is well-protected because if their secrets were ever to get out, it would mean that the conspiracy could be thwarted.


Little FockersLittle Fockers

It’s not about the 99.8% of graduates that go on to the best secondary schools.

Little FockersLittle Fockers

It’s not the overwhelming number of Early Human alumni that become civic leaders, CEOs of Fortune 500 companies—no.


-We here at the Bank of England are the official depository for gold bullion,


just as Fort Knox, Kentucky is for the United States. We know the amounts we each hold and the amounts deposited in other banks.


Thus both governments can establish the true value of the dollar and the pound.


Consequently, we are concerned with unauthorized leakages.
-I take it you mean smuggling.


The true secret which none of the disinformationists ever seem to want to talk about is that the Great Work of the Masons is none other than that which the religious establishment has been striving to accomplish since the days of Nimrod. That is to say that Masonry is the most authentic remnant of the universal Luciferian religion before Babylon and Rome—that Freemasonry as we know it today is a Jesuit invention aimed at subversively bringing the masses of “Protestants and heretics” into the fold of Mother Church.

The connection between the vestments of the modern Catholic Church and the ancient priests of the fish-god Dagon (Lucifer) is revealed in The Spy Who Loved Me (1977) through the character of Karl Stromberg (Curt Jurgens) who uses a checkered fish as his logo:


The Spy Who Loved MeThe Spy Who Loved Me

Looks a bit like a bishop’s miter.


The devilish Nightcrawler (Alan Cumming) lives in a Catholic church which has signs posted to indicate its forbidden entry in X2 (2003):





Father MacAvoy (Robert Carlyle) is a Jesuit with few scruples in The Tournament (2009):


The TournamentThe Tournament

-Where do you receive your orders from?


Father Brennan (Pete Postlethwaite), who is one of the last surviving members of the group of conspirators responsible for bringing the Antichrist into the world, is killed at the spot of the Jesuits’ IHS logo, implying that he himself is a Jesuit, in The Omen (2006):


The Omen (2006)



In Harry Potter and the Deathly Hallows: Part 1 (2010), the symbol of the Deathly Hallows leads Harry and Hermione to the tomb of Ignotus Peverell (a thinly-disguised reference to Ignatius de Loyola, founder of the Society of Jesus), Harry’s own ancestor by implication of the fact that he has inherited Ignotus’ Cloak of Invisibility:


Harry Potter and the Deathly Hallows Part 1

Harry Potter and the Deathly Hallows Part 1Harry Potter and the Deathly Hallows Part 1
Harry Potter and the Deathly Hallows Part 1

“Ignotus Peverell.”


The implication here is that all wizards and witches in the world of Harry Potter have their descent (at least ideologically) from the Jesuits. It is no wonder, considering that the checkered floor pattern which is used in film to indicate adherence to the ideology does not come from the inside of a Masonic lodge, but rather from the inside of a church. We can see the correlation most clearly by comparing a normal lodge to the Sistine Hall of the Vatican Library, which is the modern repository of the most ancient knowledge and artifacts of the Catholic/Lucifierian establishment.




The Vatican Secret Archives were separated from the Vatican Library shortly after the Sistine Hall was built, so that is really the original “treasure room” of the world. Furthermore, the “true name” of the Illuminati is said to be Incunabula, the plural of Incunabulum, which is a term applied to a book or pamphlet which was printed before the 16th century. Illuminati may apply to the ‘illuminated manuscripts’ of the pre-printing era. The implication here is that the Illuminati consider themselves the oldest and most authentic of the people who have espoused the Luciferian ideology, but that their order came about as a result of the Reformation, which describes the Society of Jesus precisely. (Incunabula are all, by definition, books which were printed in the second half of the 15th century, as the printing press wasn’t in use before then.)

So the Illuminati are “books” which you will find together in the world’s greatest treasure rooms of London, Paris, Vienna, Saint Petersburg, etc. Not surprisingly, the Vatican holds the 4th largest collection of incunabula in the world and the State Library at Weishaupt’s home of Bavaria tops the list of collectors. The Vatican’s role at the top of the Luciferian world government is evident in films which depict the checkered floors, such as The Ninth Gate (1999).


The Ninth GateThe Ninth Gate

-Do you truly believe in the Devil?
-Enough to devote my life and my library to him.

The Wizard of OzThe Wizard of Oz

This is the same genuine, magic, authentic crystal used by the priests of Isis and Osiris in the days of the Pharaohs.


The Illuminati all worship the sun god Horus, as clearly demonstrated by the arcane astronomical and astrological imagery in the Vatican and by the sun disc of the Jesuit logo and the Papal artifacts:




Here is another monstrance which blatantly depicts the Roman moon goddess Diana (as Mary) at the Mercy Seat (merkabah) of the Ark of the Covenant (i.e., the treasure of the treasure room, the Holy Grail, God):




The monstrance is used to hold the water of the Catholic Eucharist (the Water of Life). Compare this monstrance with Deathly Hallows from Harry Potter:




Other Catholic imagery found in churches around the world speaks for itself:




In order to preempt common assumptions based on national or regional loyalties, we offer a few more examples from the Russian and Greek Orthodox Churches to remind our readers that these sects were once the same, and have not diverged ideologically or theologically, or in their preservation of the ancient Mithraic rituals.


The Man With the Golden GunThe Man With the Golden Gun

-Now, that’s what I call solar power.
-That’s what I call trouble.


This is all very exoteric and superficial. Every Catholic should already know that all Catholics by definition worship Horus and Isis (or rather Apollo/Mithras and Diana, as the Church is a Roman institution). The Catholic authorities make no effort whatsoever to hide it, and in fact go well out of their way to establish the fact in contradiction to those who don’t understand the theological aspects of the religion and therefore adhere to a more scriptural point of view. What remains a mystery (removed from its Babylonian/Egyptian “Trinity” doctrine) is the role which Osiris has in this pantheon, as Osiris is dead and Horus supposedly lives.

Lucifer as we know him has many titles and names by which he has been venerated by most of the world’s cultures since the beginning of time. The Norse are perhaps the only exception among those with a cosmology and pantheon. They called him Loki (‘wildfire’), the god of mischief and trickery who wasn’t really a god, but a giant and an outsider among the gods. This name corresponds closely to the Hindu Agni (also ‘fire,’ but in the sense of illumination). One of the Greek derivations of his character, Prometheus, connotes all that Loki does except that he was venerated by the Greeks for his actions rather than reviled as he was by the Norse. The Greeks worshiped him as Kronos and the Romans as Saturnus. The week-long feast of Saturnalia (a.k.a. Hanukkah), which culminates in the festival celebrating the birth of Apollo (a.k.a. Christmas), remains (along with the feast of Ishtar, a.k.a. Easter) one of the two most important dates on the Church’s calendar.

The most ancient names for Lucifer that are available to us are the Sumerian Pazuzu (the much-feared air demon), the Akkadian Enlil (‘sky-god’), the Phoenican Melqart (from the Akkadian Milqartu meaning ‘lord of the city’) which became Molekh in Hebrew and Aramaic, and the Ugaritic Dagon (from the Akkadian Dagana meaning ‘agriculture’). His most common and most generic title was Bel (Akkadian), Be’al (Phoenician) or Ba’al (Aramaic). The Jews in Babylon worshiped him as Baal Hammon (‘lord of Ammon’) in honor of their Edomite ancestry. (Ammon was one of Lot’s two sons, and to this day remains the name of the capital of the Hashemite Kingdom of Jordan.) By the New Testament time, he was officially known as Beelzebub (‘lord of the UFOs’) by the Jews. Now he is universally called “the Lord” (Baal) in each of the vernacular languages where Roman Catholic influence has extended, including modern Hebrew (i.e. the Slavic reconstruction of Chaldean Aramaic) where he is called Adonai (‘my lord’) in place of the Hebrew God Yahweh (‘I Am’). This blasphemous phenomenon is evident most clearly in vernacular Bible publications and condemns most “Christians” of irreverent apostasy according to the First Commandment.


And you were dead in the trespasses and sins in which you once walked, following the course of this world, following the prince of the power of the air, the spirit that is now at work in the sons of disobedience. Ephesians 2:1-2


Ocean’s ThirteenOcean’s Thirteen

-Look, he owns all the air south of Beijing.
-The air?
-Put it to you this way …


If “south of Beijing” is taken to mean ‘south of 40° N’ (Beijing’s approximate latitude), then applied to the Middle East this would mean ‘south of Yerevan, Armenia,’ which is the historical boundary of Nimrod’s influence and of Mesopotamian culture in the direction of European culture. Vatican City-State sits at about 42° N, so we might say that it applies to all the land south of Rome for that matter, or Madrid in Spain and New York in North America. To say that Lucifer owns all the inhabited lands south of Europe (including the Mediterranean) and the Midwestern United States is hardly an exaggeration.


Tomorrow Never DiesTomorrow Never Dies

The emperor of the air—if you think you’re going after him, you’re the one who’s in trouble.


The proper title of Pazuzu/Beelzebub is Asar or Ashur, which means either ‘mind’ or ‘treasure’ in both ancient Egyptian and Mandaean (the Babylonian language of the Manichaeans). Osiris is the Greek transliteration of Asar whose proper name in Egyptian is Andjety. So now we can see why they call it a “treasure room.”



Here is a treasure. You will want that. Yes, put it on. Make yourself up.

Superman Batman ApocalypseSuperman Batman Apocalypse

-“Treasure”—you’re sure of the translation?
-It says “treasure,” not ‘terror,’ not ‘trouble.’


The overtly Masonic treasure hunt film National Treasure (2004) boldly proclaims that Osiris is the treasure of the United States by depicting the protagonists discovering the secret treasure chamber of the American Illuminati, which is also the hoard of the Knights Templar. They are expecting to find a lot of gold and material wealth, but instead Riley (Justin Bartha) finds and falls in love with a statue of Osiris while Benjamin (Nicolas Cage) discovers a medallion imprinted with the All-Seeing Eye. Ben’s father tells him he has found the treasure even though the gold lies beyond the antechamber.


National TreasureNational Treasure

It’s a big, bluish-green man.

National TreasureNational Treasure

I’m guessing that’s significant.


What this all means is that the Illuminati consider the burial chamber of Osiris in Saqqara, Egypt (modern day Giza) one of the most sacred religious sites in the world. The Great Pyramid was used as an initiation chamber in the antediluvian past, and Nimrod’s building projects were aimed at replicating the lost glory of the antediluvian civilization centered at Giza. The Illuminati themselves are well aware of this, and even the Trinity Broadcasting Network’s Megiddo: The Omega Code 2 (2001) depicts the Antichrist’s childhood home as a treasure room:


Megiddo: The Omega Code 2



The Bond film Never Say Never Again (1983) depicts the villain as prizing his green statue (i.e. Osiris) above all his other treasures:


Never Say Never AgainNever Say Never Again

That’s my retreat, where I can escape and enjoy all my treasures. … That is my greatest treasure.


Hollywood’s most coveted treasure, the Academy Award, also known as the Oscar (Asar), is a statue of Osiris in the Deco style of the 1920s:




Osiris and his kingdom were destroyed in the Great Flood, a fact which the Illuminati have been lamenting ever since. As a god on Earth, he wielded unearthly power out of vain selfish interest and corrupted the existing civilizations by disseminating his knowledge of war and instituting ghastly rituals (such as animal and human sacrifice) and materialistic pursuits—the same things which plague our civilization now and prevent the establishment of the Kingdom of Heaven on Earth. The New World Order is nothing if not an attempt to replicate Osiris’ despotic enslavement in body and mind of every living man, woman and child. They will consider their task accomplished when they resurrect the dead god and establish him over the nations once more—a feat which is not far from being accomplished, considering that they excavated his tomb in 1998, and that of Nimrod in 2003, and have since cloned human beings in secret.


The MummyThe Mummy

Yes, in a big underground treasure chamber. Come on, everybody knows the story.

The MummyThe Mummy

The entire necropolis was rigged to sink into the sand on Pharaoh’s command. Turn a switch and the whole
place would disappear beneath the sand dunes, taking the treasure with it.


Osiris’ fall obviously did not happen at the hands of mere mortal men, the way Nimrod was overcome by an alliance of Semitic tribes. The gods (Nordics) themselves intervened by punishing him for his betrayal of their non-interventionist policy of allowing people to choose the circumstances they create for themselves, clearly portrayed by the story of the fall of Adam and Eve. Citing the story told in detail in the Book of Enoch, the Bible (Jude 6) declares that the fallen angels are being held under darkness, in everlasting chains, awaiting their judgment. The Greek myths tell us the same thing, naming the place of the Titans’ imprisonment Tartarus. As it lies deep within the recesses of Hades, no one has ever been to Tartarus except the Greys, but even now the Illuminati are digging.


The MummyThe Mummy

No one’s ever found it. Most have never returned.


Tartarus corresponds to the Well of Souls which we will examine in chapter 6. For now it suffices to say that the Well of Souls is the Hebrew equivalent of the Labyrinth of Osiris, and that the Holy of Holies (or Holiest Place) of the Temple corresponds to the King’s Chamber of the Great Pyramid. Both are represented by the “count room” of a casino, an above-ground variant of the treasure room motif.



The place where they add up all the money, the Holy of Holies: the count room.
[Notice: Keep Out]




The Temple (and especially the Holy of Holies) was built to house the Ark of the Covenant, the symbol of the bond between the Israelites and Yahweh. As such it was the totem of the Israelite nation. Most of the images and ideas that people have of it are from subtle and, in the case of the Indiana Jones films, not-so-subtle portrayals of the Ark as the centerpiece of the treasure room. It is, after all, a symbol of the Jewish faith as well as that of the Israelites.


MegamindRaiders of the Lost Ark



In The Mummy Returns (2001), the Ark is represented by a box with the All-Seeing Eye on its lid. The room where it resides is opened by a key in the shape of an 8-pointed star (discussed in chapter 5):


The Mummy ReturnsThe Mummy Returns



The count room in Ocean’s Eleven (2001) is shown to be a Masonic treasure room with a box in the middle:


Ocean’s Eleven



In all cases the treasure room is depicted as a real place, not just a place where the hero goes in his own mind to unlock the mysteries of the universe, though the real-life Temple of Solomon and its artifacts were indeed designed in such a way as to represent the progression and the seat of human consciousness.


National TreasureNational Treasure

This room is real. And that means the treasure [Osiris] is real.


One thing that we can always expect of the Illuminati throughout the ages is that they will tell us they are enlightened, the true keepers of the divine knowledge. As far as they’re concerned, they’ve already found the treasure and are protecting it from grave robbers who don’t deserve it.


National TreasureNational Treasure
National Treasure

We’re in the company of some of the most brilliant minds in history because you found what they left behind
for us to find and understood the meaning of it.


What this means is that if you want the treasure but don’t want to join them, or if you can see through their self-important delusions and hypocritical lies, then you have to battle them and their malicious god where they reside, at the ego level of consciousness (i.e. by resisting temptation and achieving mastery over self). Regardless of what your purpose is, they will do everything in their considerable power to prevent you from becoming enlightened or interfering with their agenda.


The MummyThe Mummy

-Did I miss something? Are we going into battle? … I’m hoping to find a certain artifact.

The MummyThe Mummy

What do you think’s out there?
-In a word: evil.
-I don’t believe in fairy tales and hokum, but I do believe that one of the most famous books [incunabula] in history is buried there.

The MummyThe Mummy

It contains within it all the secret incantations of the Old Kingdom [antediluvian civilization]. It’s why I came here, sort of a life’s pursuit.

The MummyThe Mummy

-And the fact that they say it’s made of pure gold makes no never mind to you, right?
-You know your history.
-I know my treasure.


In this film, The Mummy (1999), the book which Evy is searching for is the Book of Amun-Ra, or the Book of Life—the name of the book described in Revelation as containing the names of everyone who is fated to live forever. The Book of Amun-Ra is portrayed as the opposite of the Book of Death, normally called the Necronomicon in film. The dichotomy which this presents is that of the Magi who guard the wisdom of the teachings which lead to everlasting life, versus the Illuminati who guard the teachings of Osiris which lead to everlasting destruction. Evy and her crew discover the Book of Amun-Ra at the base of a statue of Horus, while their nemeses, led by Beni, discover the Book of Death within the burial chamber of Imhotep (representing Lucifer).


The MummyThe Mummy

There he is! Hello, Horus, old boy.

The MummyThe Mummy

The Book of Amun-Ra [the Lord God].

The MummyThe Mummy

-Oh, my God.
-Who cares about a book? Where the hell’s the treasure?

The MummyThe Mummy

-This, gentlemen … this is treasure.

The Mummy

We’re scholars, not treasure hunters.


Evy, Jon and Rick also discover the coffin of Imhotep and a message which he has left prophesying his own return.


The MummyThe Mummy

-What do you make of this?
-This man was buried alive,

The MummyThe Mummy

and he left a message: “Death is only the beginning.”


According to the letters which Hernando Cortés sent to Charles V, King of Spain, the pre-Columbian American civilizations with whom the Spanish conquistadores came into contact believed him (Cortés) to be Quetzalcoatl, or a messenger of Quetzalcoatl, presumably because of his fair skin and relatively advanced weaponry. ‘America’ literally means ‘Land of the Serpent’ or ‘Land of Amaru,’ the Mayan version of the Aztecs’ Quetzalcoatl, i.e. Lucifer. It had been prophesied many centuries earlier that Quetzalcoatl would return and that his return would usher in the next Golden Age.

Acknowledgement of this prophecy is made in the subject of the treasure of Pirates of the Caribbean: The Curse of the Black Pearl (2003), where the implication is that the treasure of Cortés is not the gold we see before us:


Pirates of the Caribbean: The Curse of the Black PearlPirates of the Caribbean: The Curse of the Black Pearl

-The cursed treasure of Cortés himself.
-Not all treasure is silver and gold, mate.


Similarly, the men who find the Book of Death in The Mummy also discover jars containing Imhotep’s mummified remains. The covers of these containers are, from left to right, the heads of a man, a jackal, a lion and an eagle. The prophecy/curse states that whoever awakens Imhotep will die. Similar predictions are made in the prophecies of Revelation.


The MummyThe Mummy

-There’s your treasure, gentlemen.
-Now we’re onto something.


From the throne came flashes of lightning, and rumblings and peals of thunder, and before the throne were burning seven torches of fire, which are the seven spirits of God, and before the throne there was as it were a sea of glass, like crystal. And around the throne, on each side of the throne, are four living creatures, full of eyes in front and behind: the first living creature like a lion, the second living creature like an ox, the third living creature with the face of a man, and the fourth living creature like an eagle in flight. Revelation 4:5-7



The 7 spirits of God are listed in Isaiah 11:2 as the spirit of Yahweh, the spirit of wisdom, the spirit of understanding, the spirit of counsel, the spirit of might, the spirit of knowledge, and the spirit of the fear of Yahweh. The 4 faces represent the 4 corners of Israel, as depicted on their ancient flags and battle standards: the ox represents Ephraim in the West, the eagle represents Dan in the North, the man represents Reuben in the South, and the lion represents Judah in the East. These depictions were either taken from or else afterward inspired the description of the ofanim given in Ezekiel 1:10, and also that of Ezekiel 10:14, which replaces the face described as ox with the face of a kherub. The other 3 may be considered certain, but between a bull, a cherub and a jackal, there is a lot of room for interpretation regarding Ephraim’s totem.

You will notice that the image of the jackal above looks most like Taurus (the bull) among the constellations of the zodiac, which do not include a jackal. The kherub is represented by the winged disc in Mesopotamian art and by the red solar disc in Egyptian art (as well as by the halo of medieval European art). In the Egyptian pantheon Taurus is therefore represented by Apis, the embodiment of Osiris.




Compare the ancient use of the solar disc symbol between the horns of Apis (or of Isis—bulls aren’t the only ones with horns) to this image taken randomly at the exact time on the exact date of this writing (0240, 6 June 2011, GMT), showing the relative alignment of Uranus, Jupiter, Mars, Venus and Mercury, with the Sun (the solar disc) between the horns of Taurus:




It is no coincidence that the tribes of Israel as they existed 3000 years ago had their allotments in the same relative areas as their descendants have theirs on the European continent—Ephraim (the British) in the West, Dan (the Scandinavians) in the North, Reuben (the Greeks) in the South, and Judah (formerly the Yahudim, now the Ashkenazim who have usurped their identity, i.e. Khazar Jews) in the East. No other ethnic populations descended from Israel can really be said to exist now except the Sephardim and Samaritan populations, neither of which has its own homeland.


The God who made the world and everything in it, being Lord of heaven and earth, does not live in temples made by man, nor is he served by human hands, as though he needed anything, since he himself gives to all mankind life and breath and everything. And he made from one man every nation of mankind to live on all the face of the earth, having determined allotted periods and the boundaries of their dwelling place, that they should seek God, in the hope that they might feel their way toward him and find him. Yet he is actually not far from each one of us. Acts 17:24-27


When Evy and her companions discover the Book of Amun-Ra at the base of Horus, it’s not the Antichrist, the falcon-headed god of the sun which is being represented, but rather the Israelite tribe of Dan, represented by the eagle. The fact that the jar with the head of the lion is shattered indicates that the power of the Jews from Judea has been broken (made a reality by the Romans’ destruction of Jerusalem and the dispersion of its people in 70 AD) and that Israel has prevailed through the rise of the European civilizations (especially Ephraim and Dan, whose modern equivalents are basically the English-speaking nations, and those with languages derived from Old Norse, respectively). The alignment which we see pictured above is incomplete, however, and will not be accomplished in the right order of planets until 2012. We have between now and then to prepare for the beginning of the final stages of the creation of the New World Order.


Lara Croft: Tomb RaiderLara Croft: Tomb Raider

-Must be one of them “ticking clocks.”
-It was hidden in a secret room.


This “ticking clock” is counting down to events in our future. Notice that Dr. Evil’s treasure room in Austin Powers: International Man of Mystery (1997) is connected to the outside world by a time tunnel flanked by the lamps representing Joachim and Boaz. These are arguably the most important symbols of Freemasonry, as they guard the entrance to the Temple of Solomon and together comprise the union of opposites (black and white, masculine and feminine, sun and moon, severity and mercy, etc.) as well as the philosopher’s stone upon which all creation rests (i.e., the Holy Grail).


Austin Powers: International Man of MysteryAustin Powers: International Man of Mystery

See you in the future, Mr. Powers.



The Illuminati have invited us all to partake in their evil scheme, should we be clever enough to discern what this “treasure” consists of and what the symbols are all about. They would certainly rather have us on their side than working against them. When it comes to knowledge, money and power, they will share whatever they think is necessary and keep the rest for themselves. The one thing they are always willing to freely give is their perspective, which is to say the idea that black is white and white is black (God is evil; Satan is good). Figuring out who (i.e. the Vatican and the Society of Jesus) is really in control while the whole world seems to not have a clue amounts to solving their little riddle.


The Ninth GateThe Ninth Gate

-There’s a small fortune in there. Help yourself.
-Unscrupulous—thoroughly unscrupulous.

Stranger Than Fiction

Does that mean I have to claim it on my taxes now?

Edge of DarknessEdge of Darkness

Combat’s pretty much like anything else; it can help put perspective on things when you’re scared.


Find a connection in this room. It may be the only way to finding out who you are.

Heroes Season 3, Episode 5Heroes Season 3, Episode 5

He has the ability to alter your mind, put thoughts into your head, make you see things that aren’t there.


How are you awake?

Revelations (TV mini-series 2005)Revelations (TV mini-series 2005)
Revelations (TV mini-series 2005)

-Those gates remain shut unless ordered open by Papal authority.
-I guess it doesn’t hurt to have the Vatican on your side.


New Line Cinema’s joint US-UK release The Golden Compass (2007) is perhaps the best example of an anti-establishment film that we have found. This was supposed to be the first of a series of films based upon Northern Lights (1995) by Philip Pullman, the first novel of His Dark Materials, a staunchly polemical anti-establishment trilogy. The filmmakers toned down the hostile overtones enough to make it so that the antagonist of the books (God) is not the antagonist of the films (the Church), provoking the ire of atheists who had enjoyed Pullman’s books. In spite of this, and in spite of the fact that there is a large market for this type of film (as evidenced by the fact that the film was successful), the Catholic Church attacked it, urging Catholics around the world to boycott it. As a result the filmmakers canceled their plans to make a sequel. Never before, and not since, has this sort of exposition been made with such a force of impact that the Church has felt obligated to defend itself to the point of negatively asserting its own authority over its minions in Hollywood and the UK, so clearly the filmmakers must have hit the nail on the head, so to speak.

In this controversial film, the group of evil conspirators which sits in its treasure room formulating policy is called the Magisterium (M). This name was deliberately chosen, as it is also the official name of the institution which has awarded itself the “infallible” pedagogical and demagogical authority of the Catholic Church in the real world. The solution to the existence of free-thinkers and the spread of heresy which these quasi-fictional characters agree upon is to create a device which will cut children off from their “daemons” (in the Greek sense of the word, i.e. their “souls” or their intellects, as opposed to the more contemporary Church-sanctioned association with “devils”). These daemons are represented by familiars (pets who possess intelligence and can change form until they reach maturity), the existence of which is considered a grave threat to the establishment.


The Golden Compass

The Golden CompassThe Golden Compass

There will always be free-thinkers and heretics unless we deal with the root of the problem.


The Island (2005) features a key scene where the protagonists find the place where the brainwashing is going on and ultimately realize that people are being bred (in this case cloned) for slaughter, a theme echoed in other anti-establishment films like Moon (2009):


The IslandThe Island

You have a special purpose. You want to go to the Island. Your purpose in life

The IslandThe Island

is to populate the Island. You’re part of a new beginning. You’re special. You’re special. You’ve been chosen.


The lower deck is out of bounds to awakened clones.

The Imaginarium of Doctor ParnassusThe Imaginarium of Doctor Parnassus

My dear, did you not read our sign [Keep Out]?


Luc Besson gives us his insights on the matter in The Messenger: The Story of Joan of Arc (1999), via the ambiguous character played by Dustin Hoffman, who is either Satan or God, depending on how he is being perceived, but in either case is the product of Joan’s imagination. When she calls him Satan and tells him to leave, the first question he asks her is, “Who are you to even think you can know the difference between good and evil? Are you God?” She tells him that she is just a messenger and that God needs her. He replies, “How can you possibly imagine that God, the creator of heaven and earth, the source of all life, could possibly need you? … You don’t think he’s big enough to deliver his own messengers?” We might ask this of all neo-Pagan Christians, but obviously it applies more to Catholics and evangelical Protestants who tell everyone else that they will go to Hell if they refuse to convert, than it does to any others.

In the film, Joan realizes that her subconscious is far more powerful than she is, and is backed into a corner where she has to defend herself. From her prison cell she realizes that the signs she has received are not visions, that the charge of heresy is a valid one, but that ultimately the Church has no right to judge her own flavor of mysticism. She is brought to trial, knowing they are going to kill her whether or not she recants, and therefore that it is not in her best interest to do so. The speech given by the bishop presiding over the trial is an eloquent summation of the Church’s malefic and pretentious character:

Listen to me very carefully. We are all men of faith, and we shall earnestly strive for the salvation of your body and your soul. We do this in the name of our Holy Mother Church who never closes her arms to those who have returned to her, but we cannot help you [i.e. we will not refrain from savagely torturing and murdering you] unless you submit to our learned judgment and authority. Take heed of this charitable admonition, for if you persist in refusing our help, we shall have no choice but to abandon you to the secular powers. … Be careful. You are not helping yourself by refusing to submit to our judgment.


Their condemnation of Joan is equally despicable:

You have said that you are not willing to submit yourself to the judgment of the Church Militant, but only to God. As to this article, the scholars say that you have no comprehension of the authority of the Church, that you have perniciously erred in the faith of God, and that you are a child of superstition, a wanderer from the faith, an invoker of demons, an idolater, and a heretic.


That this is a matter of well-documented historical fact with many centuries of consistent corroboration should factor into the balance when determining whether or not films like The Golden Compass are unfairly demonizing the abomination of Rome. The charge of heresy is only valid because the Church presumes to have the authority to decide what is orthodoxy in opposition to the revelation of scripture, but it too will pay the consequences of its sins, which are far more grievous than anything a simple and devout, illiterate teenage peasant girl like Joan of Arc could possibly conceive of. Despite her lack of acumen and life experience, she has the sense to respond to her charges first by saying, “You who claim to be my judges—you be careful! For you too will one day be judged!” and then, to the verdict, “If the Church wants me to say that my visions are evil, then I do not believe in this Church.” In the end the bishop convinces her to recant with the promise that he will hear her confession, but it is a lie and she is burned anyway. In this we see how coercive abuse of power and arrogant threats of force only further the agenda of the true believers through polarization and righteous indignation. As for anyone who thinks that the Inquisition is over or that its influence has somehow waned to irrelevancy, we would ask such a person to explain this belief when there is a pope in Rome who was the head of the Congregation for the Doctrine of the Faith (i.e. the Inquisition) for 23 years prior to his election.


From HellFrom Hell
From Hell

You’ve seen something? What did you see? … They used to burn men like you alive.

From HellFrom Hell

-How did he find out about the unfortunate and her child?
-He has that kind of cleverness you’ll sometimes find in the middle classes,

From HellFrom Hell

a cheap sort of intelligence, but effective nevertheless.
-Thank God that’s not something you’re burdened by.
-Yes, thank God.

Heroes Season 3, Episode 5Heroes Season 3, Episode 15

-You can see the future. I can’t have that. It’s too dangerous.
-This is what scares them, what’s in here.


If they find us awake at the same time, they aren’t going to let us live. We’ve found the hidden room. We know about the others.

Blade IIBlade II

We’re in. You’re about to enter our world.