The Hollywood Agenda








Men In Black II

Looks like Spielberg’s work.


The TournamentThe Tournament

Not all things in the world are quite as they first appear.

The TournamentThe Tournament

You won’t know it … you won’t see it …

The Tournament

but it happens.


The most common plot device in modern motion pictures involves one of the movie’s characters (usually the protagonist) being shown something which changes the way he or she sees the world and which gives rise to a conflict of emotions. Even if it doesn’t make any difference to that character, it often sets into motion the main series of events depicted in the movie.


Taxi Driver

Hey, you wanna see something?

Blade II

Let me show you.

Die Hard 2The Men Who Stare at Goats
Meet the Parents

Let me show you something.

The Sorcerer’s ApprenticeThe Sorcerer’s Apprentice

There’s something I want to show you. … I have something I’d like to show you.

The World Is Not EnoughThe Fifth Element

GattacaMission Impossible

I want to show you something.

Quantum of SolaceTron: Legacy

Come. I wanna show you something.


-Wait, I’m gonna show you something.
-Let me show you.


Take a look at this.

Die Hard: With A Vengeance

Come look at this!

Tron: LegacyTomorrow Never Dies

Look at this.

V (1983 miniseries)


The Secret of MoonacreThe Secret of Moonacre


The MummyThe Mummy

Look at that.

The MummyThe Mummy

Look at this! … My goodness! Look at that!

AdventurelandHarry Potter and the Half Blood Prince

-Just look and see.
-I’d like you to see it, if you would.

The Sorcerer’s Apprentice

Eyes open!

I Am LegendI Am Legend

-You gotta pay attention, okay? You gotta pay attention.
-Well, guess what. Now it’s my turn, so you just shut up and pay attention.


While some of what is said in this book has been said before—particularly as it pertains to the people who control the public media and who are responsible for the subtle indoctrination of the masses—the main difference between this exposition and others is that it relies primarily on evidence from the horse’s mouth and provides an overtly spiritual and holistic perspective. It’s one thing to read about secret societies with some sort of Satanic agenda; it’s another thing entirely to see them openly confess all of their subversive motives and intentions with your own eyes. Seeing is believing, as the old saying goes, because truth transcends finite human reason and mere knowledge acquisition.


Scott Pilgrim vs. the World

Yeah, it’s not really something I can put into words.

Resident EvilResident Evil

We needed something concrete, anything to expose Umbrella to the press.


To get the most out of this book, it will help to keep in mind that nothing ever gets put into a film unintentionally. Every major motion picture production is a collaboration of hundreds of workers, some of whose job it is only to edit the material to make sure that it is presented professionally. Each piece of footage is carefully reviewed dozens if not hundreds of times. Scripts and screenplays are amended dozens of times before and even while shooting takes place, with screenwriters on hand to make sure it goes smoothly. Animated sequences are produced entirely from scratch, using hand-drawn or computer-based models, as are most movie sets. Wardrobes and props are so carefully fabricated that they can become the most memorable images from the film on account of their uniqueness, and in many cases they even sell to fans as collector items.

The scarcity of hard-to-spot bloopers such as an out-of-place microphone accidentally caught on camera can be seen in the fact that there are websites dedicated to the task, but deficient in content. Hollywood is infamous for being fickle, unforgiving and cutthroat; one scene may need to be shot dozens of times before the director has it the way he wants it, and this still may not be the version the audience sees. In short, you are very unlikely to ever see something even in a low budget film that wasn’t shot intentionally, much less in one which cost the studio $200 million to produce. So it is more than a little significant that the characters in all of these films routinely demand attention.


Little Fockers

Attention! Attention!

The TournamentThe Tournament

May I have your attention? You wanted the greatest show on Earth …


Actually, it’s not the characters in these modern dramas which are drawing attention to themselves—it’s the actors and the people conducting the course of the dialog. They want our attention because they know that if they have it, they can influence us. They know that if we find their films to be entertaining, we will not only come to them of our own accord but will even pay them for the privilege. No matter how we choose to look at it, the films are intended for them and us; the characters and the story are merely circumstantial. Is it not possible, then, if not in fact inevitable, that it is our attention that they want to draw to themselves?


Knight and Day

Ladies and gentlemen, please maintain visual contact.

The Secret of MoonacreThe Secret of Moonacre

-Look at this.
-Take a look around you.

The League of Extraordinary GentlemenPitch Black

-Eyes open, boy.
-Just keep your eyes open.

Donne Darko

Pay close attention. You could miss something.

X-Men: The Last StandX-Men: The Last Stand

Look at me. Look at me. Look at me!


-Come on, pay attention.
-For God’s sakes, pay attention!

Heroes Season 3, Episode 15Live Free or Die Hard

-You really need to pay attention!
-I really need you to pay attention!


That at least some film directors and film studios are actively trying to influence people is indisputable. Many have gone on record stating as much. More often than not, the ones who are most open about it are also the ones who make sure that the calls to attention get put into their films’ dialogs. What these filmmakers want to change is us—how we see the world and how we behave.


Knocked Up

I have so many things I’ve been wanting to say to you.

The MatrixThe Matrix

I don’t know if you’re ready to see what I want to show you, but unfortunately you and I have run out of time.

The PrestigeThe Prestige

Watch carefully. Are you watching closely?

Dude, Where’s My Car?Dude, Where’s My Car?

Once you have seen this, you are never quite the same.


Of all the different types of media, the major motion picture industry reaches the most people and has, therefore, the greatest influence. Not only this, but it also takes a great deal of financing to produce a major motion picture, so unlike other forms of media, only someone with substantial buying power can produce one. Let us assume that such a person has acquired his wealth by exploiting others, and has a vested interest in further exploitation, as that is the nature of capitalism. We all know how invasive and aggressive corporate advertising campaigns are. Is it not inevitable then that at least some (if not all) of the people behind the production of modern entertainment films would employ subliminal messaging to advance their own interests?



[information is penetration]

The DaVinci Code

As the saying goes, a picture says a thousand words.


Surely, if someone with a lot of power wants to influence us without our knowing it, the major motion picture industry is the best place to start. At the very least, he will not have to worry about competition. The big Hollywood studios spend more to advertise their products than most smaller ones can to scrape together to produce theirs. Not only that, but the real money is in merchandizing, and small companies must rely on the larger ones just to distribute their films. They certainly don’t have the means to branch out and create other products, such as video games and coffee mugs, which is where the profit margins typically lie. If just anyone could make a movie by himself and turn it into a blockbuster, then there would be thousands of film distribution companies, not a handful, and the films which the major studios do produce would be ignored, as people would naturally choose the best films over the most aggressively marketed substandard ones.

This is not and has never been the case. The major studios have always had the monopoly, and more recently have even swallowed up the independent companies so that nothing gets by them without their approval and so that anyone who can make a better film is hired by the big companies to make it for them. The poor quality and overabundance of clichés of most blockbuster films compared to popular cult films and foreign-made dramas is indicative more of Hollywood’s motives than any inherent lack of ability or a lack of culture in American audiences. The money is in Hollywood, so the best films ought to be as well. We might say that Hollywood tends to be more influential than entertaining, as that is its intention. Without the money to finance them, few film studios are able to produce anything that the public wants to see more than Hollywood productions, in spite of their very low standards and unoriginality.


Ocean’s Twelve

And the competition, it’s worse than our business!


The type of influence under consideration is both high-minded and subversive. It is not a matter of filmmakers trying to sell products on behalf of corporations or to influence our short-term political ideologies to enable certain politicians or political parties to be elected, but to get people to see things the way they see them. The people who are powerful enough to exert such influence care little for mundane matters like money and politics. Their power already extends well beyond the limits of corporate avarice and political enterprise. They have more important things to concern themselves with—things which necessarily involve retaining their power. It will be seen, if it is not already understood, that the only people with this kind of power have a religious agenda and are literally trying to convert people wholesale, in the religious sense, to a different paradigm than the one they would naturally choose.



There’s a war out there, old friend—a world war—and it’s not about who’s got the most bullets;


it’s about who controls the information: what we see and hear, how we work, what we think …


For we do not wrestle against flesh and blood, but against the rulers, against the authorities, against the cosmic powers over this present darkness, against the spiritual forces of evil in the heavenly places. Ephesians 6:12


For a long time, filmgoers in Western society (and particularly in the English-speaking world) have been brainwashed through the use of exoteric symbolism for religious purposes, and they don’t even know it. Consider what Albert Pike, the great pundit of the Scottish Rite of Freemasonry in America, has to say in his Morals and Dogma (1871):

All religious expression is symbolism; since we can describe only what we see, and the true objects of religion are THE SEEN. The earliest instruments of education were symbols; and they and all other religious forms differed and still differ according to external circumstances and imagery, and according to differences of knowledge and mental cultivation. All language is symbolic, so far as it is applied to mental and spiritual phenomena and action. All words have, primarily, a material sense, however they may afterward get, for the ignorant, a spiritual non-sense. …

Symbolism tended continually to become more complicated; and all the powers of Heaven were reproduced on earth, until a web of fiction and allegory was woven, partly by art and partly by the ignorance of error, which the wit of man, with his limited means of explanation, will never unravel.

Pike is describing, to the initiate of the esoteric mysteries, how imagery is used to convey ideas in a material sense, but that the meanings of the symbols are lost on anyone who does not understand the message which is being conveyed. He then goes on to indicate that while the message is inherent in the symbols for whoever has the sense to decode them, simply presenting the symbols without their correct interpretations is not tantamount to conveying the message to the audience. Thus it is also necessary to add words to the images, in order to explain their meanings, but even with such explanations being given, the meanings of the symbols are still lost on whoever doesn’t understand the message.

To present a visible symbol to the eye of another is not necessarily to inform him of the meaning which that symbol has to you. Hence the philosopher soon superadded to the symbols explanations addressed to the ear, susceptible of more precision, but less effective and impressive than the painted or sculptured forms which he endeavored to explain. Out of these explanations grew by degrees a variety of narrations, whose true object and meaning were gradually forgotten, or lost in contradictions and incongruities. And when these were abandoned, and Philosophy resorted to definitions and formulas, its language was but a more complicated symbolism, attempting in the dark to grapple with and picture ideas impossible to be expressed. For as with the visible symbol, so with the word: to utter it to you does not inform you of the exact meaning which it has to me; and thus religion and philosophy became to a great extent disputes as to the meaning of words. The most abstract expression for DEITY, which language can supply, is but a sign or symbol for an object beyond our comprehension, and not more truthful and adequate than the images of OSIRIS and VISHNU, or their names, except as being less sensuous and explicit.


With this in mind, let us pretend for a moment that what is happening in the background of these films, if not what is being called to the attention of the characters themselves, is actually being called to our attention. Very often the focus of the symbols which have specific and deliberately conveyed meanings is, in fact, not even directed to any of the characters in the films. To make the point, we provide a few examples of common Masonic religious expressions which are otherwise completely irrelevant to their respective plots and storylines:


Live Free or Die Hard

Here, look [at the CB radio which is set to 66.6 MHz in this film, or at the characters from Star Wars].


-Hey, come over and look at this [2 pillars, or costume with the letter ‘M’ prominently imprinted on it].

Blade II

Be on the lookout [for the Satanic images in this mans apparel].


Look closely and tell me what you see [i.e. whether you know that the item represents a famous religious relic].

Taxi DriverTaxi Driver

[The Eye of Providence]
[An eye ring and a snake ring]


[A ring with ‘M’ on it on one hand, and a church hymnal in the other]


At this point we’ve seen a few commonly used Satanic symbols, but nothing major. This should give you an idea of what to look for if you want to catch these symbols in the future, but these are quite obvious and require very little explanation. They are exoteric, not esoteric. Anyone who is even aware of them ought to already be seeing them and knowing what they mean.


The Secret of MoonacreThe Secret of Moonacre

You saw something, didn’t you … didn’t you? Tell me what you saw.


-Do I have your attention now?

Blade II

Let’s see what else we can find.

Star Trek: The Motion Picture

And take a look at this.

The Sorcerer’s Apprentice

[The Eye of Providence is a Draconian oracle stone with ancient magical powers.]

The Omen (2006)The Omen (2006)

Look at this, here. Take a look.


[There is no $12 bill. Upon close examination we see that it is not even printed by the Federal Reserve or the United States Treasury. The intent is to subliminally draw attention to the number 12 and the fact that our currency is make-believe: that it has no inherent value.]

The Omen (2006)The Omen (2006)

You see anything unusual? Look, here. Look. See?


Hey, check it out, man.
[Pyramid with the Eye of Providence signifying Illuminism; ‘Black Light’ in the shape of the vesica piscis signifying Chaosophy or Theistic Satanism; ‘Lightning Fixture’ signifying that it’s a Luciferian movie prop]

Scott Pilgrim vs. the WorldDie Hard: With A Vengeance

-Buddy, welcome to the Chaos Theater!
-Now do I have your attention?

The Imaginarium of Doctor Parnassus

No, my dear. Did you not read our signs?
[Please take the apple under the light fixture, i.e. Luciferian illumination.]

Pirates of the Caribbean: At World’s EndPirates of the Caribbean: At World’s End

Do you notice anything? Do you notice something that is not there to be noticed?

The Mummy

Yes, I see.

Tron: Legacy

I couldn’t wait to show it to you. Could not wait.


We are dealing primarily with exoteric symbols here, which the filmmakers want us to see. Most are featured prominently in the picture, and very often the camera is zoomed in to focus on them. They are often discussed, or else there is a lack of dialog when the camera pans over them, as though we are meant to catch them instead of being distracted by the sounds. In a very literal sense, the filmmakers are playing a game against their own audiences. As Guy Ritchie repeats several times in his Revolver (2005), the best place for an opponent to hide is in the last place you’d ever look, which is to say, in fiction, as the audience already assumes that all fiction is merely entertainment and believes it to be fantasy. As we have seen from Pike, this holds true for the ignorant audience regardless of how obvious it is that they are trying to tell us exactly what their motives and intentions are. Here are several examples (over the next 13 pages) of instances of characters being told to listen, which is an occurrence in just about every Hollywood production.


AI: Artificial IntelligenceAI: Artificial Intelligence

-Is it a game?
-Yes, hide-and-seek.

AI: Artificial IntelligenceAI: Artificial Intelligence

-Is it a game?
-Now, I’m gonna read some words.

AI: Artificial IntelligenceAI: Artificial Intelligence

They won’t make any sense, but I want you to listen to them anyway, and look at me all the time.


Pay attention to me. What I’m gonna tell you is very important.

The Omen (2006)Scott Pilgrim vs. the World

-Now you listen to me.
-Now, you listen close, and you listen hard.

Meet the FockersMeet the Fockers

-Now, you listen to me, and you listen good.
-You listen to me when I say this.

EntrapmentDie Hard: With A Vengeance

-Now listen.
-Now listen to me.

The Man With the Golden GunUnder the Mountain

-Now, listen carefully.
-Now listen, and listen very carefully.

Live and Let Die

I want you to listen to me very carefully.

The TournamentThe Tournament

Now I suggest you listen to me very, very carefully.

TransformersThe Day After Tomorrow

-Son, I need you to listen to me very carefully.
-Listen very carefully.

Die HardDie Hard
Die Hard

-Alright, listen.
-They know people are listening.
-Listen to me carefully.


Alright, listen.

The IslandPreditors
Die Hard: With A Vengeance

Alright, listen up.

Live Free or Die Hard

Listen up, everyone.

Blade IIStarship Troopers

Listen up.

Stark Raving Mad

Listen up. I got a story for you.

Die Hard 2Die Hard: With A Vengeance


Die Hard: With A VengeanceDie Hard: With A Vengeance

-Listen to me.
-God dammit, listen to me!

Live Free or Die HardLive Free or Die Hard

-Listen to me.
-Hey, listen. Listen.

Pirates of the Caribbean: At World’s EndPirates of the Caribbean: At World’s End

-Listen. Listen to me.

X2Kung Fu Panda

-Listen to me.
-Listen to me, all of you.

Mission Impossible IIMission Impossible II

-Pull over and listen to me, will you? Just listen.
-Listen to me. There’s no time to talk.

Mission Impossible IIIMission Impossible III

-Listen to me. Listen to me.
-Just listen to me.


-Listen. Listen to me, sweetheart.
-Listen to me.

The Incredible HulkKnocked Up

-You should listen.
-No, listen. Wait, listen.

Little Fockers

Stop talking and listen.

LabyrinthDue Date

-Will you listen to this?
-Just listen to me, okay? Don’t say anything. Just listen to me.

BedazzledThe Secret of Moonacre

-Just listen.


-Hey, listen.

The Chronicles of RiddickHarry Potter and the Deathly Hallows Part 1


X2Spider-Man 2
Little Fockers


Meet DaveThe Prestige

WantedThe World Is Not Enough

Listen to me.

Little FockersLittle Fockers

-And I’ll tell you something.
-We need to tell you something.

The MatrixThunderball

-I want to tell you something.
-I have to tell you something.


-I need to tell you something.
-I just need to tell you something.


-I have something I want to tell you.
-I have something to tell you.

The Secret of MoonacreThe Secret of Moonacre

I have to tell you something—something I should’ve told you a long, long time ago.

Stranger Than FictionStranger Than Fiction

-I have to tell you something.
-Is it a secret?
-Sort of.


-There’s something I’ve been wanting to tell you.
-There’s something I need to tell you.


-I need to talk to you about something.
-I need to tell you something.


There’s something I got to say to you.

Knocked UpThe Imaginarium of Doctor Parnassus

-So, I have something I really need to tell you.
-I have something very important that I have to tell you.

The Imaginarium of Doctor ParnassusThe Imaginarium of Doctor Parnassus

Shut up and listen to me! I have to explain something to you before it’s too late.

Hot Tub Time MachineHarry Potter and the Prisoner of Azkaban

-I got something to tell you.
-I gotta tell you something.

Finding NemoFinding Nemo

-Wait, wait, wait! I gotta tell you something!
-I got something to tell you!

Meet the FockersMeet the Fockers

I gotta tell you something. … Let’s lift the veil of mystery.


Listen up, everybody. I got something to say.


I have something to say. … Wait, I have something to say.


I have something to say!


The above references should provide enough substantiation to qualify as a preponderance of evidence for any reasonable person. The thing to keep in mind is that while these lines are very common in Hollywood films, they are very scarce outside of Hollywood. Most of us, when we are speaking face-to-face with someone else, do not say “Listen to me,” or “I have something to say.” We just say it. Films made outside the United States tend to reflect natural speech, because they are not necessarily trying to get our attention. The major exception, of course, is films which are made by Canadians and other foreigners inside the United States. That is to say that the religious fanatics (Jews) in Hollywood are not the only ones using these gimmicks to try to get our attention. The others, however, are trying to indoctrinate us for our benefit, not theirs, and so unlike the case of Hollywood, it is intended that there be a mutual exchange whereby we can learn the truth, rather than fall victim to a deception. For instance, Scott Pilgrim vs. the World (2010) is based on a Canadian graphic novel, features a Canadian actor as the title character, was filmed in Canada, and was directed by an Englishman.


Scott Pilgrim vs. the World

Yeah, I have something I have to tell you, too.


Of all the hundreds of instances of solicitations to listen, the only one we have found where the person making the demand gets verbal confirmation that the audience is actually listening (i.e. that it’s not a one-way exchange) is in the anti-establishment UK film The Secret of Moonacre (2009):


The Secret of MoonacreThe Secret of Moonacre

-Just promise you’ll listen.
-I’m listening.


We have seen how Albert Pike, the most influential ideologue in the history of American Freemasonry, considered images and words to be the means by which impressions are made. This explains why we are repeatedly being told to look and listen. We have also seen how, according to Pike, symbols develop into fiction and it takes a heaven-sent spirit of truth to reinterpret them properly. Far from leaving it at that, Pike also informs the Mason how such symbols actually come to misrepresent what they were originally intended to represent.

There are dangers inseparable from symbolism, which afford an impressive lesson in regard to the similar risks attendant on the use of language. The imagination, called in to assist the reason, usurps its place or leaves its ally helplessly entangled in its web. Names which stand for things are confounded with them; the means are mistaken for the end; the instrument of interpretation for the object; and thus symbols come to usurp an independent character as truths and persons.


In other words, people tend to mistake the messenger for the message, and the representation of the thing for the thing-in-itself. The fact is, these films employ exoteric symbolism with the intent of conveying esoteric messages to audiences which are presumed to be too stupid and ignorant to understand them, or perhaps too lazy to learn their supposed truths on their own by some other means. They are simply the modern equivalent of the ancient moralistic dramas, like the plays of Sophocles or Shakespeare. The Masonic establishment which produces them is acting in the role of the Church before it, and the purpose is to indoctrinate us with religious symbolism, just as it was in the case of the medieval mystery plays.


On Her Majesty’s Secret Service

Mystery tour, eh?

Superman: The MovieThe League of Extraordinary Gentlemen

-So there you go: ‘M.’
-‘M’ for ‘mystery.’


Of course, we’re not actually supposed to know that they are doing this, hence the fact that they don’t give us the right interpretations of their symbols. We are always either left to guess or else subjected to disinformation. The true interpretations are reserved for the initiates, as the messages are intended for them. If it happens that the messages are being given to us, it is only in such a way that they are intending to recruit whoever is intelligent enough to see through the veil of the fictional element but stupid enough to fall for the traps. They have much use for such people, and in fact they require their fealty in order for their goals to be achieved.


Heroes Season 3, Episode 7Heroes Season 3, Episode 7

I sent somebody to recruit you. When you refused her offer, I didn’t expect to see you here.


Who this “somebody” and the person making the offer are, and what the offer consists of, will be apparent later. For now, it suffices to say that it is most perfectly represented in Pike’s explanations of the symbolism inherent in the Masonic religion and in the Hollywood movie genres which they control. The Masons have made it clear that they think they are the ones with the knowledge of the mysteries and that we owe any insights we may have of our own to them, if for no other reason than that they are producing these kinds of materials and that no one else who is capable has the knowledge necessary to do so.

According to Pike, dramatic representations of real-life occurrences serve the purpose of informing our spiritual journey and are intended to awaken our minds. What inhibits this, he says, is an over-literal interpretation of the artistic expressions, such as mistaking the truth of it for mere fiction. To the Masons, drama is a matter of mysticism and philosophy, but not fiction. In their eyes, what we call fiction is actually truth.

These mystic shows and performances were not the reading of a lecture, but the opening of a problem. Requiring research, they were calculated to arouse the dormant intellect. They implied no hostility to Philosophy, because Philosophy is the great expounder of symbolism; although its ancient interpretations were often ill-founded and incorrect. The alteration from symbol to dogma is fatal to beauty of expression, and leads to intolerance and assumed infallibility.


So we see that the Masons pretend to be the friends of humanity not only by giving us the divine knowledge necessary to become enlightened where the world’s other religious institutions have failed, but by expounding on it for us as well. In fact, what they are trying to do is the opposite, to make sure than no one receives it and understands it. They even tell us that their truths are “secrets,” which of course appeals to any given person’s ego by making him think he is special if he is being let in on it, but once the emotional impact of this gimmick subsides, it becomes apparent that a secret is only a secret if they’re not telling anyone, much less everyone, and that what they’re telling is actually a well-crafted, elaborate lie.


National Treasure: Book of Secrets

Confederate General Albert Pike. He was a remarkable man.


[I’ve got a secret.]

The MatrixDie Another Day

I’ll let you in on a little secret.

The MatrixFrom Russia With Love

-I’d like to share a revelation that I’ve had.
-Let me tell you the secret of the world.

Harry Potter and the Half Blood PrinceHarry Potter and the Half Blood Prince

I’m going to tell you something—something others have only guessed at.

The Ninth GateThe Ninth Gate
The Ninth Gate

There have been men who have been burned alive or disemboweled for just a glimpse of what you are about to witness.


The fact that they alone are even making an attempt to “educate” the public is evidence not of the notion that they are rendering us a service, but of their conspiracy to thwart the opposition and dominate the channels of information. What the audience receives is not information, but disinformation—materialistic distractions which tend to produce apathy for and ignorance of spiritual matters rather than the enlightenment they would like us to believe in. They are keeping secrets, not revealing them. Pike even says, writing for bottom-level Masons, that the Masons themselves are victims of disinformation, as the true interpretations of their symbols are reserved for the adepts of Masonry alone. That they do this secretly, collaboratively, criminally, and with malice of forethought, means it is a vast conspiracy.

Masonry, like all the Religions, all the Mysteries, Hermeticism and Alchemy, conceals its secrets from all except the Adepts and Sages, or the Elect, and uses false explanations and misinterpretations of its symbols to mislead those who deserve only to be misled; to conceal the Truth, which it calls Light, from them, and to draw them away from it. Truth is not for those who are unworthy or unable to receive it. …

The Blue Degrees are but the outer court or portico of the Temple. Part of the symbols are displayed there to the Initiate, but he is intentionally misled by false interpretations. It is not intended that he shall understand them; but it is intended that he shall imagine he understand them. Their true explication is reserved for the Adepts, the Princes of Masonry. The whole body of the Royal and Sacerdotal Art was hidden so carefully, centuries since, in the High Degrees, as that it is even yet impossible to solve many of the enigmas which they contain. It is well enough for the mass of those called Masons, to imagine that all is contained in the Blue Degrees; and whoso attempts to undeceive them will labor in vain, and without any true reward violate his obligations as an Adept. Masonry is the veritable Sphinx, buried to the head in the sands heaped round it by the ages.


Star Trek IX: InsurrectionStar Trek IX: Insurrection
Star Trek IX: Insurrection

The architects of this conspiracy want to keep it a secret, not only from you, but from my people as well. I don’t intend to let them.


Now we have covered the basic principles behind the reasons for the existence of these films and the symbolism contained in them. It remains to be shown that what we say is true and that it can be demonstrated by an exposition of the contents of the films themselves. To this end, simply showing a preponderance of evidence to indicate a trend is not enough. To prove what the intentional use of the symbolism is or what the intended outcome of how they are interpreted by the audience is, the symbols themselves must be properly decoded, and then it must be shown that the intent is to indoctrinate and deceive by the deliberate misuse of false interpretations. This is not an easy task, for as Pike says, “it is intended that he shall imagine he understand them” already, and “whoso attempts to undeceive them will labor in vain.”

We, however, are not sworn to secrecy as they are, or otherwise obligated to maintain the deception, or in any other way subject to the wishes of the Masonic hierarchy. We are, in fact, capable of providing the correct interpretations and willing to labor to do so (in vain, perhaps) specifically because we have a better understanding of their religion and its symbolism than they ever possibly could, as they are restricted by its confines and inadequacies. That is to say that Masons are limited to myopic and intentionally deceptive means of interpretation, while we are not. The main thing to remember is that the symbols are intended for everyone, but the messages behind the images and their explanations are intended only for them.



We [Hollywood Masons and Satanists] would leave each other messages in breath … in light.

Close Encounters of the Third KindClose Encounters of the Third Kind

I figured it out, that’s all. Will you just listen? You ever look at something crazy, and then see it another way and it’s not?

The Imaginarium of Doctor ParnassusThe Imaginarium of Doctor Parnassus

Ladies and gentlemen, this world that we live in [cinema] is full of enchantment for those with eyes to see it.

Taxi DriverStargate

-Dig the symbols.
-There are symbols everywhere.

The Ninth Gate

They seem to have some underlying significance.

Stranger Than FictionPirates of the Caribbean: Dead Man’s Chest

-Watch. Watch. Listen. Listen.
-Over there! Look for a sign.


Just to show that certain symbols can be found to represent the same thing in completely unrelated films, we’ll start out with something that doesn’t have any significance to the overall story being told here. Different birds have different esoteric notions attached to them (as do other animals, especially pets, called “familiars” in witchcraft). The canary, for instance, represents death. If you see a canary featured prominently in a film, even for a split second, it means someone is about to die or is thought to already be dead. People who know this are therefore afraid of canaries as harbingers of death.


Blade: TrinityBlade: Trinity

For you sighted people, here’s a little show-and-tell.

Hellboy II: The Golden ArmyHellboy II: The Golden Army

-They’re afraid of canaries.
-Oh my God. Canaries, huh?

Hellboy II: The Golden ArmyHellboy II: The Golden Army

-We should use the canary now.
-Not a canary!

The FountainThe Fountain


Pirates of the Caribbean: At World’s EndPirates of the Caribbean: At World’s End


Taxi DriverTaxi Driver

-Apparently it’s symbolic.
-Why not a pigeon instead of a canary?
-I don’t know why not a pigeon. Wait a minute.

Taxi DriverTaxi Driver

-You got to catch a pigeon. A canary, you can walk into a pet store, kill it right there, put it on anyone you want; doesn’t matter.


I’m trying to tell you something.


In fact, it doesn’t really matter whether it’s a pigeon or a canary, because pigeons are also used to signify death. The difference is that a canary foreshadows death, whereas a pigeon kills. Take, for instance, the use of the pigeon motif in the sequels to Final Destination (2000):


Final Destination 2Final Destination 2

-Did you see that?
-See what?

Final Destination 2Final Destination 2

-It’s a sign.
-A sign of what?
-If Clear’s right about the order,

Final Destination 2Final Destination 2

then Nora and Tim are going to be attacked by pigeons. They’re next on Death’s list.

Final Destination 2Final Destination 2

If we don’t find them, they’re going to die.
-Damn those pigeons!

Final Destination 3Final Destination 3

Osama bin Supervisor wants me to get rid of those pigeons first. They keep settin’ off the alarms.

The Final DestinationThe Final Destination

Let’s see what we got here, Browning.


This type of use of symbolism is not only generic. It can be, and in many cases is, specific to proper names. In this case, from The Final Destination (2009), Browning is the name of the mystic of the first Final Destination. The name of Browning’s companion Clear Rivers is also mentioned out of context in the 2009 sequel. Likewise, most DreamWorks films have some sort of recognizable reference to Spielberg’s early films. This is a sort of inside joke, no doubt. However, it strains credibility to think that we should find references both to canaries just seconds before death, as shown above, and to the Flying Dutchman (a portent of doom in nautical legend) in Disney’s Pirates of the Caribbean films, unless they are trying to tell us something.



-This one is inexplicably called The Flighing [sic] Dutchman.
-The Flying Dutchman!

KnowingTaxi Driver

-Just making sure if you’re listening.
-I’ll tell you something else. It’s like a joke, but true.

Final Destination 2Final Destination 2

Have you ever seen anything creepy or ominous, an in-your-face irony kind of thing?

Final Destination 2Final Destination 2

Well, don’t ignore it. Recognizing those signs usually means the difference between life and death.

The PrestigeThe Prestige

Now you’re looking for the secret, but you won’t find it because, of course, you’re not really looking.

The PrestigeThe Prestige

You don’t really want to know. You want to be fooled.


-Okay, you see it?
-That’s just grain in the image.

X-Men: The Last Stand

I can’t see a damn thing.

Mission Impossible IIIMission Impossible III

-I’m telling you, man, there’s no image.
-Then you’re not looking in the right place.

The DaVinci CodeX2

-Well, people rarely notice things right in front of their eyes, don’t you find?
-Most people will never know anything beyond what they see with their own eyes.

The Last MimzyClose Encounters of the Third Kind

-Maybe other people don’t see what we see.
-Or perhaps they watched it, but never made the psychic connection.


Sometimes the mind needs to discover things for itself.


Often there are jokes and other gimmicks used to draw attention to the fact that someone is looking at but not seeing what is there, such as in Taxi Driver (1976), when Tom (Albert Brooks) is told to put his glasses on even though he is already wearing them:


Taxi DriverTaxi Driver

-Notice anything?
-Put your glasses on.
-Okay, just a minute.

The Sorcerer’s ApprenticeThe Sorcerer’s Apprentice

-I don’t see the Grimhold [grimoire, in French, is a magical text used to invoke demons].
-That’s because you’re using your eyes.


-Can you see anything?
-You guys need to see this. You guys need to see this. Look.

28 Weeks Later


Pitch Black

So did you see anything?

Superman: The Movie

I didn’t see.


-See anything?
-It’d help if I knew what the hell I was looking for.

X-MenI Am Legend

-What do you see?
-What you see? What you see?

Resident Evil


Aeon FluxLive Free or Die Hard

-Do you see?
-Did you see that?


-You got to see this.
-Can you see this?


-You see?
-Can you see this? Huh? Can you see this?

ContactThe Matrix Revolutions

-Hope you guys are seeing what I’m seeing.
-I wish you could see what I see.


The uncaptioned pictures above each contain several Masonic motifs which we will examine later.


Due DateDue Date

Stupid. That would never be in a movie.
It’s in a movie every 2 years … every 2 years.


-To most people Star Wars is just a movie, right? I mean, I don’t think so, no!

X-Men: The Last Stand

People, you must listen. They won’t take us seriously.


As we have said, the people putting these motifs in the movies know that only those with the correct interpretations will even notice them, but the fact that they are there means that they are speaking to our subconscious and influencing us in ways which are advantageous to them and detrimental to us. In order to avoid this influence, a person must either have the right interpretations so as to negate it or avoid pop culture altogether. Either way, everyone who watches these films is being brainwashed. Hence the Flighing Dutchman:



-But from back there, the sucker just can’t tell.
-Jesus, that is so wrong!
-A criminal abuse of the laws of perspective.


It’s unlikely they understood it. People must understand.

The Men Who Stare at GoatsThe Men Who Stare at Goats

I think it’s important people get an accurate picture of what’s happening.

The Men Who Stare at Goats

I’ve seen things that you shouldn’t.

Die Hard 2Die Hard 2

There’s nothing regular about it. See? You’re intrigued.

Die Hard 2Die Hard 2

I notice things—things other people wouldn’t see.

Die Hard 2Die Hard 2

Look. The people have a right to know everything about everybody.


In order for anyone to properly understand the meanings and the messages behind all of the symbols, he must have an accurate picture of the reality we live in to begin with. This is what people generally lack and why the meanings of the symbols are lost on them. Most people lie to themselves on a daily basis about trivial things and cannot discern truth from error, or reason from superstition. The human mind naturally repels whatever it has not already integrated, and when groups of people get together and turn mistaken assumptions into dogmatic expressions of faith, it becomes even harder for the individual to break free from the errors of the mind, as the appeal of tradition and consensus is just as strong, and in many individuals, even stronger.

There are not enough people working against tradition to counteract this, however willing they may be, because the advocates of so-called truth are the disinformationists who have been recruited and directed to thwart any given individual’s attempts to awaken to spiritual truth. Eventually the situation becomes so dire that people are inclined to become intolerant and even outright hostile to the real truth, because they perceive that in the war of ideas, their supposed truths are the truth, and they have no idea of what “the truth” even means, much less what it is. This is the great fault of all symbolic religion, including Freemasonry. Freemasons have mastered the art of concealment, but they only have a partial view of the truth, and are therefore every bit as stooped in dogmatic error and pretense as the masses they look down upon.



Other people … they won’t understand.


They don’t see what we see. I can teach you.

Lara Croft Tomb Raider: The Cradle of LifeLara Croft Tomb Raider: The Cradle of Life

The markings form a pattern, but even if I figure what they mean, we still can’t read the whole map because we’ve only got a partial view.

The Men Who Stare at GoatsThe Men Who Stare at Goats
The Men Who Stare at Goats

People are walking around with their eyes closed. At level 1 we were trained to instantly absorb all details. Eventually we adapted it to just finding a way of not being seen.

The Men Who Stare at GoatsThe Men Who Stare at Goats

But once you understand the linkage between observation and reality, then you begin to dance with invisibility.


If these Masons and Satanists really don’t have a complete understanding of things, then the question remains of how much of the symbolism is intentional, and how much is not. If some of it is not intentional, then someone else (God) must be responsible for it. In fact, they actually claim to be speaking for God as the keepers of divine knowledge, so whether it’s entirely their doing or not makes no difference. Either way, God factors into it—it’s just a question of whether it is God (the Creator), or their God (Satan).


Transformers: Revenge of the FallenTransformers: Revenge of the Fallen

They’re symbols, but they are in my mind. You see, all this is in my mind.

The Final DestinationThe Final Destination

-Look, they’re probably just some weird coincidences.
-I hope so.

Pirates of the Caribbean: At World’s End

Do you think he plans it all out, or just makes it up as he goes along?


It’s the subject of randomness vs. determinism in the universe. Determinism says that occurrences in nature


are causally decided by preceding events or natural laws, that everything leading up to this point has happened for a reason.


Everything has a purpose, an order to it … is determined. But then there’s the other side of the argument,


the theory of randomness, which says it’s all simply coincidences. The very fact we exist is nothing but the result of a complex


yet inevitable string of chemical accidents and biological mutations.


There is no grand meaning; there’s no purpose.


Most people who have not already embraced a religious paradigm are under the impression that everything that happens is random. Teleological arguments hold no sway over people who do not perceive that there is an intelligence high enough to be in control of the universe, even though the universe itself is an undeniable and positive proof of that intelligence. Such people would much rather remain ignorant of the inherent connections between seemingly unrelated events, and have therefore resorted to superstition in explaining away the sort of “weird irony” which we all perceive regularly.


Ocean’s Twelve

Some sort of weird irony, you know?

The Sorcerer’s Apprentice

Yeah, it was just a coincidence.


One isolated event is a happenstance. With an understanding of a bigger picture of that event, rather than a finite observation of one or a few of the circumstantial details, it will become apparent that all events are happenstance. Of course, only God has the whole picture, which would be necessary to see all events as one long happenstance. A reasonable mind can therefore allow for two connected events to be considered coincidental, but after a third, the same reasonable mind must accept the possibility that they are intentional. This is so obvious to any reasonable person that the Hollywood filmmakers regularly mock people who hold superstitious notions of “coincidence” through the stupidity and sarcasm of their characters.


The Seeker: The Dark Is RisingThe Seeker: The Dark Is Rising

-Just coincidence.
-Yes, of course, “coincidence.”

Die Another DayDie Another Day

What an amazing “coincidence.”

The Mummy Returns

That’s right. What a coincidence.


What a coincidence!


-What a coincidence.
-Yes, so convenient.

Pirates of the Caribbean: At World’s EndPirates of the Caribbean: At World’s End

-It’s an odd coincidence.
-It’s an odd coincidence, isn’t it?

A View to a Kill

Yeah. A convenient coincidence.


The point of all this is to show that they (the filmmakers) do not believe in coincidence, and that they are trying to teach others not to either.


The Mummy Returns

My friend, there is a fine line between coincidence and fate.

The Matrix RevolutionsThe Matrix Revolutions

Some might think this is a strange coincidence, but I do not. Where some see coincidence, I see consequence.

V For VendettaV For Vendetta

But I see this chain of events, these “coincidences,” and I have to ask:

V For VendettaV For Vendetta

-What does it all mean?
-It means that I, like God, do not play dice and do not believe in coincidence.

V For VendettaV For Vendetta

-But if you see what I see …
-When you’re at this as long as I’ve been, you stop believing in coincidence.


This can’t be a coincidence.

Aeon Flux

Does anyone believe this is a coincidence?

The Imaginarium of Doctor ParnassusThe Imaginarium of Doctor Parnassus

-You believe in coincidence?
-No, there’s no such thing. Isn’t that what you always told me?

The Man With the Golden GunThe Man With the Golden Gun

-A coincidence …
-I don’t believe in them.

V For Vendetta

There are no coincidences.


-Hey, listen to me.
-This is definitely not an accident.


If we are wise enough to see that there is no such thing as an accident, then we can see that what goes into the films is not accidental. If we just open our eyes, we can see that there is a purpose and a meaning behind it all, and that we are being influenced to believe this because they want us to know it. If we see what we are supposed to see, then we can also see that the messages really are intended for us, that anyone who sees these films is supposed to make the psychic connection between the events of the films and his or her own life.


Kung Fu PandaKung Fu Panda

-That was just an accident.
-There are no accidents.

Kung Fu PandaKung Fu Panda

-He wasn’t meant to be here. It was an accident.
-There are no accidents.

Kung Fu PandaKung Fu Panda

-Yes, I know. You’ve said that already, twice.
-Well that was no accident either.

Kung Fu PandaKung Fu Panda

-…an accident.
-There are no accidents.


This meeting is not a coincidence.

Heroes Season 3, Episode 6Heroes Season 3, Episode 6

I came here looking for you, and what did I find? You are waiting for me! I mean, that’s got to mean something, right?

The Social NetworkThe Social Network

-Unless it’s a coincidence, I think this is us.
-It’s not a coincidence.


The story which is being dramatized is the only one which applies to the whole world, which is to say that they are telling the eschatological story of the end of the world. The ramification is that if what they are saying is true, then they are warning us about what is going to happen to us, and the real life scenario is not going to have a happy ending. These “coincidences” point us to our ultimate destiny as a planet and a species.


Stranger Than FictionStranger Than Fiction

-I was hoping you’d say it was just a really bad coincidence.
-Meeting an insurance agent the day your policy runs out is coincidence.

Stranger Than FictionStranger Than Fiction

Having your apartment eaten by a wrecking ball is something else entirely.

Heroes Season 3, Episode 15

If that’s a coincidence, God has improved his sense of humor.


Although they are warning everyone, the Masons and the Satanists in Hollywood have no desire to teach anyone who they think is unworthy of receiving the knowledge they need in order to save themselves. This is why they use the symbols and the metaphors, rather than telling us, for instance, on the evening news and in the morning newspapers. They would if they weren’t using these media to deceive whoever is capable of being deceived because they lack the intellect to see through the most obvious lies they are presented with. In other words, what is regarded by ignorant people as fact is really fiction, and what they regard as fiction is really fact.


Edge of DarknessEdge of Darkness

Anyone who looks at the rest of this is gonna see that something happened, but no one’s gonna be able to figure it out.

Edge of DarknessEdge of Darkness

That’s your objective: to make it so convoluted that anyone can have a theory,

Edge of DarknessEdge of Darkness

but no one’s got the facts.
-That’s quite good, Jedburg [Jedi (revealers)-town, i.e. Hollywood].
-I’ve been making things unintelligible for the past 30 years.

The TournamentThe Tournament

-That is tasty and invisible.
-Thank you. Watch and learn.

Die Hard 2

So much for the element of chance.

The Day After Tomorrow

-These things are interconnected?
-We have to consider the possibility.

Final Destination 2Final Destination 2

-And that’s the proof there’s something out there …
-Wait, that’s not proof. That is your interpretation

Final Destination 2Final Destination 2

of events that can’t be proven, in order to support your ideas. … What happened after that was just coincidence.

Final Destination 3Final Destination 3

Look, or maybe it’s not that literal. All right, what’s … God, I don’t see it in this picture anywhere though.


-Why didn’t I see that?
-It wasn’t coincidence. It’s not coincidence.


The word which is most often used as a replacement for ‘coincidence’ among people who are not superstitious is ‘synchronicity.’ As there is no such thing as coincidence, synchronicity denotes the emotional impact which a person feels on a personal level when he perceives what others would normally call a coincidence. It is a profound sense which inevitably touches upon divinity; the person experiencing synchronicity is left with a feeling that God (or nature, or the universe) has communicated something specific to him on a personal level.



So what are we calling this? Synchronicity—two unrelated events combined to create a significance for the subject, you?

Hot Tub Time MachineHot Tub Time Machine

-What happens?
-I don’t know. I’m just sort of letting the universe surprise me, right?

Final DestinationFinal Destination

-Guys, there’s something I need to tell you. … I believe that

Final DestinationFinal Destination

there’s this pattern that’s occurring.
-Right, a pattern.

Final DestinationFinal Destination

You noticed that, too?
-So what about this pattern?

Final DestinationFinal Destination

Did you see it in one of your visions? Did you catch it in some TV static?

Final DestinationFinal Destination

-You guys are going to sit there in your little chairs and make fun of me. It’s fine, whatever. I’m not suffering from post-traumatic stress.

Final DestinationFinal Destination

I don’t have a narcissistic deity complex. This just is.

Final DestinationFinal Destination

There is a pattern for us all. There is a pattern for you. There is a pattern for you.

Final DestinationFinal Destination

There is a design for everyone, and I don’t know how yet, but I’m going to break this one.

Final DestinationFinal Destination
Final Destination

I’m talking about omens. This is a message from something, or someone, hinting at a design.


Although it is common to say that “the universe” is speaking in cases of synchronicity, it is with the understanding that God is God, rather than the stereotypical depictions of God as a man of some kind, such as on the ceiling of the Sistine Chapel. With the understanding of God as a patriarchal figure who sits on the clouds and watches the world with dismay, synchronicity seems superstitious. With the understanding of God as the mind and creative force of the universe, the aura of mystery in synchronicity makes perfect sense.



I think it’s a sign from God, but don’t quote me on that.


There’s an old Biblical passage that says, “Be still and know that I am God,”


which is a way of saying, sometimes God does speak to us in mysterious ways.


The most common reference from literature to the process of God’s speaking to people in mysterious ways is from the story of Hansel and Gretel. Hansel and Gretel represent God’s prophets or revelators, and are depicted as leaving a trail of bread crumbs (a trail of synchronous clues) for others to follow. As the Masons consider themselves to be God’s workers, they have adopted this bread-crumb trail method.


I, RobotI, Robot

-Is that relevant?
-Everything I’m trying to say to you is about Hansel and Gretel. If you didn’t read it, I’m talking to the wall.

I, RobotI, Robot

Just say Lanning’s locked down so tight he couldn’t get out a message. He can only leave clues, a trail of bread crumbs, like Hansel and Gretel.

I, RobotI, Robot

-Bread crumbs equals clues. Odd, but fine. Clues leading where?
-I think Lanning [Osiris] gave Sonny [Horus] a way to keep secrets [Masonic symbols].

Diamonds Are Forever

That must be the signal.


Hollywood encodes these clues in such a way as to make it difficult for anyone who is easily persuaded by the artistry of the films to see. Television affects human brainwave activity in a way which is very similar to other types of hypnosis, so only someone who is truly conscious will see the hidden messages. The idea is that if you become distracted by the visual images, you will be more susceptible to the brainwashing. Also, both sides of the dichotomy make it very clear that the hidden messages are religious or eschatological in nature.


Finding NemoFinding Nemo

He’s trying to speak to me, I know it! You’re really cute, but I don’t know what you’re saying!


-What the hell are we looking at?
-Genesis, chapter 1.

The FountainThe Fountain

-Do you see it? It is a map,

The FountainThe Fountain

a map to the Mayans’ greatest secret—greater than Chichen Itzá, greater than Yaxchilán, greater even than Tikal.

The FountainThe Fountain

Here, in the center, in the core of the once-great Mayan civilization, we will find a lost pyramid.

The FountainThe Fountain

Not lost; hidden—the hidden pyramid of the Mayan myths.

The FountainThe Fountain

The myths tell us of a holy pyramid built upon the navel of the Earth,

The FountainThe Fountain

the birthplace of life. A special tree sprouts there.

The FountainThe Fountain

They say whoever drinks of its sap will live forever.

The FountainThe Fountain

-Eternal life?
-Remember, our own Bible confirms it. In Genesis, there are two trees in the Garden of Eden:

The FountainThe Fountain
The Fountain

the Tree of Knowledge and the Tree of Life. When Adam and Eve disobeyed the Lord and ate from the Tree of Knowledge, the Lord banned them from the garden and hid the Tree of Life.

AI: Artificial Intelligence

-That’s just a story.
-But a story tells what happens!

Taxi DriverTaxi Driver

-And it means something, really.
-Partly truth, partly fiction: a walking contradiction.


I’m telling the truth!

The Men Who Stare at GoatsThe Men Who Stare at Goats

There’s different ways of looking at … different names for a reality.


Man looks on the outward appearance; God looks on the heart.


We do well to remember that the different stories we see portrayed in film are different versions of the same story, which is the story of mankind as recorded in the first 3 chapters of Genesis, and in the book of Revelation. This story is being repeated, and if we pay attention to the details, we can discern what the hidden meanings of the Biblical text are, as well as what some of the details that were left out of it are.


Pirates of the Caribbean: Dead Man’s ChestPirates of the Caribbean: Dead Man’s Chest

-And what’s your story?
-It’s exactly the same as your story, just one chapter behind.

Pirates of the Caribbean: Dead Man’s ChestPirates of the Caribbean: Dead Man’s Chest

-The dichotomy of good and evil.
-Same story, different versions, and all are true.

Star Trek II: The Wrath of KhanStar Trek II: The Wrath of Khan

It might help if I knew what Genesis was, beyond the Biblical reference.

I Am LegendI Am Legend

If we listen, we can hear God’s plan.

V For VendettaV For Vendetta

Why? Because while the truncheon may be used in lieu of conversation, words will always retain their power.

The Fifth ElementThe Fifth Element

It’s not bizzare. It’s the divine language spoken throughout the universe before time was time!

Race to Witch MountainRace to Witch Mountain

-Luck has nothing to do with it. It’s pure science: chaos theory, the underlying order in apparently random data.

Race to Witch MountainRace to Witch Mountain

-So more like fate?
-Science. Think about it.


Science is regarded by many as a collection of seemingly random data. In fact this is scientific knowledge (much of which is not even scientific or knowledge, but pseudo-scientific disinformation and misinformation). Science is the process of uncovering truths (as opposed to facts) using logical reasoning (as opposed to abduction, or superstition). Those individuals which posterity venerates as having contributed to the base of scientific knowledge are those who have been “inspired.” God gives us the clues in nature as well as the will to decipher them; we have to use our mental faculties to sort through them.


Heroes Season 3, Episode 5Heroes Season 3, Episode 5

-I mean, was it luck? Was it coincidence, or perhaps guidance from a higher power?

Heroes Season 3, Episode 5Heroes Season 3, Episode 5

-You’re not a messenger from God.
-Moses saw a burning bush. Mary heard the angel.

Heroes Season 3, Episode 5Heroes Season 3, Episode 5
Heroes Season 3, Episode 5

-And I’ve got a dead mobster telling me he’s the voice of God.
-You think the answers to your questions are somehow outside of you, but God resides within.

Race to Witch Mountain

That is a predetermined order of how things work in the universe.

Superman: The MovieSuperman: The Movie

Think, people, think! Deductive reasoning, that’s the name of the game.


This is not intended to detract from the significance of the inspiration, or from the spiritual implications of synchronicity and the mystical state of mind. In fact it establishes mystical inspiration as a real phenomenon which can be scientifically and empirically attested to. As the great American philosopher William James says in The Varieties of Religious Experience (1902):

But what of the mystic state itself? Are there not well-researched and well-documented scientific explanations for mystic phenomena? Of course there are; however, it is the mystic’s disposition and not the circumstances of his temperament which makes the moment mystical for him. A person who is already open to that particular state of consciousness will fall into it as easily by repetition or even at random as when he induces it by way of fasting, hallucinogenic drugs or sleep deprivation, etc. So the only thing which definitively characterizes the mystic state other than the mystic’s supposed communion with God is the impression it leaves upon him, not whatever scientific evidence for the fact, be it true or not, that the feeling is psychotic or self-induced.


What this means is that synchronicity can be experienced even when the circumstantial data don’t necessarily allow for it. God speaks to us on an individual basis. One mystic may not have the same emotional reaction or spiritual interpretation to something as another mystic. However, every mystic knows that the data can be found anywhere, in anything, and that all mystical interpretations of these data are valid. Some mystics see the data as signs, others as a code, and still others as a message. All see the data as gnostic revelation.


Pirates of the Caribbean: At World’s EndTransformers

-There is more to you than meets the eye, isn’t there?
-I think there’s a lot more than meets the eye with you.

From Russia With Love

The whole thing’s so fantastic it just could be true.


-It’s extraordinary, isn’t it. Almost as if …
-as if it was intended.

The Men Who Stare at Goats

The universe gives you clues like that, you don’t ignore it.


At the most basic level of mystical awareness, synchronicities are seen as signs of divine providence with a certain mystery and mystique about them which produces a religious response, much like superstitious people conceptualize them as omens, miracles or even coincidences. At the next level these signs are interpreted as a code, a way by which God speaks to us on a personal and therefore religious level. This is what we have covered so far. When the mystic has gone beyond this level and learned to decipher the code of the divine language, he is now equipped with the knowledge necessary to interpret them.

This is what sets a prophet apart from a mystic. A prophet is a mystic who reads the signs and interprets them by applying the key of understanding to the divine code, and then goes on to deliver the message which is found to lie within it. As long as the code is there, and as long as God wants the message to be delivered, there will always be prophets to deliver the code. The code cannot be suppressed, because it exists in nature, and the prophet cannot be thwarted, because he is called by God to reveal the mystery. This creates a conflict with the powers that be, such as the Hollywood Masons and Satanists, which desire to have the monopoly on divine revelation so they can manipulate the masses. The powers that be contend with God through the suppression of the prophetic message, but they cannot possibly succeed, so they do whatever they can to obfuscate the message.

The way this normally happens is by their telling the masses that the message needs to be reinterpreted (by them), because they have the key to the code, even though it is the prophet who has the key. We can all agree, for instance, that the prophets of the Bible were inspired by God to preach their message, but then the Church comes along and says that it alone understands the Bible, and that we therefore need its guidance to interpret what was never meant to be interpreted, but the meaning of which is clearly stated. To get us all thinking that the text means something other than what it plainly states, it is necessary for the Church or any other so-called authority to convince us that there is a hidden meaning which is known only to them. The Church presents its absurd doctrines as “mysteries,” while the secret societies call them “secrets.” In either case the masses look to them for the key which is necessary to decipher the meaning of the prophetic message.


Kung Fu PandaKung Fu Panda

-This is a sign.
-A sign of what?

Kung Fu PandaKung Fu Panda

-You are almost ready to be entrusted with the secret ingredient of my secret ingredient soup.

The Imaginarium of Doctor ParnassusThe Imaginarium of Doctor Parnassus

A sign, a message from some distant place that we know nothing of!

The Imaginarium of Doctor ParnassusThe Imaginarium of Doctor Parnassus

I see it all now, so clear. This has nothing to do with us here.

The Imaginarium of Doctor ParnassusThe Imaginarium of Doctor Parnassus

Somewhere in this world, right now, someone else is telling a story—a different story—

The Imaginarium of Doctor ParnassusThe Imaginarium of Doctor Parnassus

a saga, a romance, a tale of unforeseen death … it doesn’t matter. It’s sustaining the universe.

The Imaginarium of Doctor ParnassusThe Imaginarium of Doctor Parnassus

That’s why we’re still here; you can’t stop stories being told.


No, it’s a code.

Heroes Season 3, Episode 14Casino Royale

-That’s code. It’s not very subtle either.
-Almost as if someone was trying to tell us something.

The World Is Not EnoughAeon Flux

It’s a message.


Your task is not to interpret, but to deliver. Every culture in history has a secret code, one you’ll not find in traditional texts


Regardless of whether or not we ourselves believe the prophetic message, we are bound by necessity to accept that the people who present it to us do. They have left us a preponderance of attestations and no room for doubt about this fact. There is some kind of reference to it in virtually every cinematic feature film which is being made in this age. Some popular adventure films such as The Matrix (1999) and The DaVinci Code (2006) make it the major premise of the plot, while others such as Ocean’s Twelve (2004) and Stone (2010) make so many indirect references to it that it could be considered a subplot.


Ocean’s TwelveOcean’s Twelve

-Do you think I could send something through you, like a message to him?
-Did he leave you a message?


-Wow, that’s …
-Yeah, it’s real. I believe it. No, it’s real.

Legend of the Guardians: The Owls of Ga’HooleLegend of the Guardians: The Owls of Ga’Hoole

-And you believe this is part of a larger plan?
-It is certain.

Alex Rider: Operation Stormbreaker

The message is clear.

Ocean’s TwelveOcean’s Twelve

Ain’t no accident. There’s one explanation: conspiracy, collusion, complicity. That’s all it is.

The DaVinci Code

We’ve been dragged into a world of people who think this stuff is real.


Obviously if the filmmakers unanimously attest to the fact that they are telling the eschatological drama of mankind over and over, then we have more than ample reason to believe that they are doing so, whether or not God is speaking through them. You don’t have to be a mystic to see this. You just have to pay attention and remove the inhibitor of irrational doubt—the mistaken belief that it’s all a big “coincidence.” What it really is, is the divine language by which images and sounds are used to convey a prophetic message discernable only to those who believe in God and understand the complexity of divine revelation.


The Seeker: The Dark Is RisingThe Seeker: The Dark Is Rising

Like a hiding place that goes on and on forever, like a clue hidden in plain sight that declares the presence of a sign.

The Secret of MoonacreThe Secret of Moonacre

You’ve hidden them!

You Only Live TwiceYou Only Live Twice

The art of concealment and surprise. Now we will see some modern ninjas.


Throughout the book we will be referring to these “ninjas” as the Illuminati. This term denotes the ‘enlightened ones,’ or the ‘keepers of the light,’ but we cannot state too emphatically that this is a pretentious self-appraisal. These so-called Illuminati are, in fact, no more enlightened than any mystic. What we are about to see is the entire message which they, as the representatives of the “Black Light” of Theistic Satanism, or of the “True Light” of Luciferianism, intend for all mystics to see. Their goal is to influence and recruit every mystic to their cause and to destroy everyone who cannot see their message or who resists their influence.


Lucky Number SlevinLucky Number Slevin

Kansas City Shuffle is when everybody looks right and you go left. It’s not something people hear about—

Lucky Number SlevinLucky Number Slevin

falls on deaf ears, mostly. But this particular one’s been over 20 years in the making …

Lucky Number SlevinLucky Number Slevin

requires a lot of planning, involves a lot of people.

Tomorrow Never DiesTomorrow Never Dies

And a billion people around this planet will watch it, hear it.


Notice that it has been “20 years in the making.” Every part of this is intentional. The man in the hat we see pictured above played by Bruce Willis in Lucky Number Slevin (2006) is about to kill the young man next to him between gates 26 and 27 at an airport. The media mogul played by Jonathan Pryce in Tomorrow Never Dies (1997) is planning false flag terrorist attacks on civilian populations in order to usher in his New World Order. The same theme is repeated by Michael York as the murderous Antichrist, who is the son of a media mogul, in Megiddo: The Omega Code 2 (2001):


Megiddo: The Omega Code 2Megiddo: The Omega Code 2

This is television. People believe anything they see on television.


This is a specific type of magical practice called “glamour”—a type of enchantment which uses charm and visual appeal to attract its subjects into a sort of hypnotic submission, like the Sirens of Greek mythology and the Lorelei of Germanic mythology. In fact, as holly plants were prized by wizards for their supposed magical properties, in esoteric circles the name of ‘Hollywood’ itself has come to mean ‘magic wand.’


The PrestigeThe Prestige

They’re magicians, your honor—showmen—men who live by dressing up plain and sometimes brutal truths

The PrestigeThe Prestige

-to amaze, to shock.
-Even without an [intelligent] audience?


Hollywood’s true meaning in connection to the “True Cross” originating from the Black Rood of Scotland (the Holyrood) is something like ‘magic cross’ (glamorous betrayal). The point of all the Hollywood business is to deceive the masses and destroy their capacity and willingness to resist the New World Order agenda. This is done through neuro-linguistic programming (NLP)—a means of influencing a subject’s thoughts, emotions and behavior through the embedding of symbols in the subject’s mind (i.e. brainwashing).


Ocean’s TwelveOcean’s Twelve

We need to train ourselves to think the way they think, to see what they see, and we should not allow ourselves to be distracted.

The Imaginarium of Doctor ParnassusKnowing

-Don’t worry if you don’t understand it all immediately.
-One day, you’ll know what it means.


They say the sound part come [sic] first. They say when you experience


a spiritual truth, that it comes to you as a sound,


changes your vibration, gets you back into harmony, and then if you let that happen to you,


then … then you get the light, or you get illumination or something. You can hear God speaking to you through sounds.


That’s why no one picked up the signal until now. It was lost in the background light and noise.

Die Hard 2Die Hard 2

-It’s got some kind of scrambler on it. Can you do anything with it?

Die Hard 2Die Hard 2

-No, this scrambler mode must activate on this code panel;

Die Hard 2Die Hard 2

even if we scan their frequency we can’t listen in.

Die Hard 2Die Hard 2

These guys are pros.
-So are you. Break the code.

Die Hard 2Die Hard 2

I want to hear what these bastards are saying to each other.

Lara Croft Tomb Raider: The Cradle of LifeLara Croft Tomb Raider: The Cradle of Life

-Maybe this temple’s not meant to be found.
-Everything lost is meant to be found. Don’t worry.

Legend of the Guardians: The Owls of Ga’Hoole

Follow them; we’ll discover the full extent of their plan.


The Walt Disney Company, the largest media conglomerate in the world, is infamous for putting sexually (often homosexually) explicit sounds and images into animated films intended for children. While this and other forms of NLP are commonplace in other forms of media (especially on the covers of magazines), it is particularly distressing for people to learn that children are being subliminally desensitized to sexual (especially homosexual) themes at a very early age.


Harry Potter and the Deathly Hallows Part 1

Why would someone draw it in a children’s book?


This is just the tip of the iceberg, and an inevitable result of the industry having been allowed to run rampant for a hundred years. The programming language and many of its specific triggers have been in active use since at least The Wizard of Oz (1939), and there have been no less than 20 film adaptations of Lewis Carroll’s Alice’s Adventures in Wonderland (1865) since 1903. The reason children’s stories like these are the primary choice for the embedded symbols is quite obvious.


Transformers: Revenge of the FallenTransformers: Revenge of the Fallen

All you eager, nubile, young minds on the very cusp of adulthood. And I shall be your consort, your guide,

Transformers: Revenge of the FallenTransformers: Revenge of the Fallen

your chaperone into the heart of darkness. Welcome to Astronomy 101.


The covert United States Central Intelligence Agency (CIA) experiment known as MK Ultra uses Satanic ritual abuse (especially sexual abuse and electroconvulsive therapy) to create programs within a subject by forcing fragmentation of the subject’s mind through overwhelmingly unbearable trauma. The trauma is especially administered from birth to age 6 to ensure the child will develop Dissociative Identity Disorder (formerly called Multiple Personality Disorder), after which detailed messages and commands are embedded into the new alter ego so they can be activated later by the “handlers” using “triggers.” Such handling is evident in the specific functions carried out by fragmented personalities, such as former Army Sergeant Timothy McVeigh who was convicted and put to death for the 1995 Oklahoma City bombing without having ever directly participated in the bombing or known what had happened, but was on scene to take the fall.

While it is better known than Project Monarch, MK Ultra is a military program only. Project Monarch is the name given to the slightly older military program run on civilians which was originally known as Project Bluebird. During the 1960s Anton LaVey (founder of the Church of Satan) worked with the United States military as a consultant regarding matters of brainwashing to enhance the MK Ultra program. It was his belief that movies and television were the media which would be most effective in the establishment of the New World Order. By the 1980s, the military-industrial establishment was focusing its efforts to this end almost exclusively on cinematic features. The pop music genre also came about as a result of televised musical performances such as Disney’s Mickey Mouse Club which has been running since 1955.

The children who have grown up in Hollywood with alters resulting from Project Monarch are known as “monarchs.” Apart from merely being given the opportunity to succeed in show business, these children tend to be successful as actors on account of their alter egos who perform their roles well, without inhibitions, on a deeply subconscious level. Most of these victims have no recollection of their traumatic experiences, nor any knowledge of the monarch program until they undergo psychotherapy. Most consider the onset of the alter persona as demonic possession, but demon possession is usually just another term for what psychologists call Dissociative Identity Disorder. To the trained eye, it is usually obvious which actors are monarchs and which ones aren’t when they are acting on screen, as well as by how disordered their personal lives are off-screen.

Cathy O’Brien names The Wizard of Oz as the source of much of her Project Monarch programming by Michael Aquino (founder of the Temple of Set) in Trance Formation of America: The True Life Story of a CIA Mind Control Slave (1995). Fritz Springmeier claims that Marilyn Monroe was the first presidential-level monarch sex slave, and whether or not she was the first, before her murder in 1962 she was the most recognizable product of the program which later became formally known as Project Monarch. Other confirmed monarchs since the beginning of the program include Christina Aguilera, Tori Amos, Pamela Anderson, Tom Arnold, Roseanne Barr, Drew Barrymore, Mary J. Blige, Macaulay Culkin, Miley Cyrus, Ellen DeGeneres, Johnny Depp, Cameron Diaz, Leonardo DiCaprio, Hilary Duff, Corey Feldman, Corey Haim, Teri Hatcher, Michael and Janet Jackson, Angelina Jolie, Beyoncé Knowles, Queen Latifah, Lindsay Lohan, Demi Lovato, Courtney Love, Marilyn Manson, Rose McGowan, Mo’Nique, Brittany Murphy, Rosie O’Donnell, Mary-Kate and Ashley Olsen, Katy Perry, Mackenzie Phillips, River and Joaquin Phoenix, Pink, Keanu Reeves, Christina Ricci, Brooke Shields, Jessica Simpson, Britney Spears, Barbara Streisand, Tila Tequila, Jonathan Taylor Thomas, Justin Timberlake, Kanye West and Oprah Winfrey, to name a few. Other actors who, like Marilyn Monroe, have been killed for going AWOL include Corey Haim (d. 2010) and Heath Ledger (d. 2008). In 2010 actor Randy Quaid also implicated the Illuminati in the deaths of Denise Borino-Quinn (d. 2010), George Carlin (d. 2008), David Carradine (d. 2009), Eartha Kitt (d. 2008), Bernie Mack (d. 2008), Chris Penn (d. 2006) and Natasha Richardson (d. 2009). At that time, Quaid himself was attempting to flee the United States and seek refuge in Canada, claiming that he was marked for death.

The main thing to remember here is that these actors and pop music artists are selected from a very young age and subjected to Satanic ritual abuse in order to create multiple personalities within them. These alters are, in turn, used to similarly program the masses. Many of them have admitted that they don’t watch the films they are in because they don’t want to be confronted with their alters (i.e., their demons), while others have stated that they do not allow their own children to watch television because of its toxic influence, even though they are hypocritically making their living from it. In fact, the word ‘hypocrite’ actually comes from the Greek word for ‘actor’ which is used derisively 20 times in the New Testament.

So clear is the link between stage acting and demonic possession that Aleister Crowley wrote that acting is unquestionably the best way to become possessed. Crowley was a Theosophist, as was Lewis Carroll, author of Alice’s Adventures in Wonderland. It is well known (though now disputed) that Carroll, like Crowley, was a pedophile. It is also well known that Walt Disney, like Crowley, was a Satanist. The most heavily embedded symbols in Hollywood are the Theosophical archetypes of Alice’s Adventures in Wonderland, and the most famous of the many film versions of Alice in Wonderland is the animated Disney classic from 1951. The enormously popular success of the embedding of the symbols from this story is evident from Disney’s original sequel Alice in Wonderland (2010) which grossed over $1 billion at the box office. Monarch actor Johnny Depp stars as the Mad Hatter, and his handler Tim Burton directed it. Depp, like many others, has publicly admitted to being possessed on screen, and is considered such a good actor that he was in danger of being kicked off the set of Disney’s own Pirates of the Carribean: The Curse of the Black Pearl (2003) for allegedly arriving on set drunk, when he was in fact in his character, Captain Jack Sparrow. Depp sports a sparrow tattoo on his arm, signifying Bluebird, while the more common butterfly tattoos signify Monarch.

In Meet the Fockers (2004) Robert De Niro plays Jack Byrnes, a former CIA operative who is intimately familiar with the CIA’s brainwashing and torture techniques. Meet the Fockers is a DreamWorks film. DreamWorks was co-founded (with David Geffen) by Steven Spielberg and Jeffrey Katzenberg, the man chiefly responsible for the sexually explicit subliminal messages in the animated Disney films of the 1980s and 90s. Notice here the embedded symbol of the Sun, which you probably didn’t catch in the image of the astronomy professor above from Spielberg’s Transformers: Revenge of the Fallen (2009), directed by monarch handler Michael Bay.


Meet the FockersMeet the Fockers

-Oh yeah, I’ve heard about this, this baby signing stuff. This is like cutting edge. Like … yeah.

Meet the FockersMeet the Fockers

-Well, at this age, his mind is like a sponge. Look, when he reaches your age, for example,

Meet the FockersMeet the Fockers

his mind will be far less capable of absorbing useful information.


This overtly malicious subversion of the infant mind is evident in other DreamWorks films such as Little Fockers (2010), the sequel to Meet the Fockers. While it is not enough to simply state that the people producing these films are Jews, if we pay attention to who is responsible for the influence of Satanism and the disestablishment of societal values in film and on television, the one thing they all have in common is that they are Jews, or are working closely with and almost exclusively for Jews like Spielberg and Katzenberg, who are directing the program at the top. Spielberg’s co-conspirator George Lucas, for instance, has gone on record saying that the public is stupid, that he would rather make decent films than the rubbish which he produces simply because it’s popular, and that they (he and Spielberg) are just exploiting moviegoers’ stupidity in order to influence them while simultaneously getting rich. It is no exaggeration at all to say that they see themselves as gods whose sacred duty and responsibility it is to steer the herd of humanity into the New Age.


Little FockersLittle Fockers

-Early humans do need guidance.
-Is that your role, Jack, to guide them?

Little FockersLittle Fockers

-Yes, I see myself as something of a shepherd guiding our family through life’s pastures.

Little Fockers

Well, when my sheep wander, I use my prod to keep my flock in line.


Meanwhile, we’re supposed to bow down and worship them, or look up to them, as Jewish actor Ben Stiller says about “the little hamster wheel that we’re all running up to get a little taste of your little water thingy,” in Little Fockers:


Little FockersLittle Fockers

-It’s like a metaphor for your approval.
-Thank you for clearing that up.


What should be considered a crime against humanity is “cute” when our children repeat the programming:


Knocked UpKnocked Up

-What does it mean?
-‘Penis’—it means ‘penis.’

Little FockersLittle Fockers

-Can a girl poop from her vagina?
-Andi gives Daddy his boners.

Meet the FockersMeet the Fockers

-We “Fockerized” him.
-Sure did!

Little FockersLittle Fockers

-Suck it!
-You kids want to pick your nose and fling your boogers? Do it.


Ben Stiller’s corna sign shown here has been identified as a program activator (i.e., a “trigger” or switch to turn on the dormant alter ego, thereby causing the victim of the programming to perform the function of his programming). It’s also the widely-used hand gesture for Satan.


Hellboy II: The Golden Army

Austin Powers: International Man of Mystery

Final Destination 3

Final Destination 3

Final Destination


The original film in the Fockers franchise is Meet the Parents (2000), wherein Stiller’s character Greg Focker is a personification of the multiculturalist agenda within Hollywood which seeks to transform America, and indeed every Western nation, into a thoroughly Jewish society by playing on the tolerance of middle class white people for repeated offenses which act as a type of trauma necessary for dissociation.

Films like Meet the Parents and Knocked Up (2007) often portray a despicably immoral Jew pursuing a classy, attractive blonde woman who is clearly out of his league. The woman inexplicably loves him and will even go against her family’s express warnings to stay away from him in spite of the fact that he is abusive and good for nothing. The purpose is to create confusion in real life and cause respectable white women to sell their bodies to the real life perverts wholesale so that by breeding out the resistance, there will not be any ethnic group left to oppose them. This genocide is even more evident in the glorification of miscegenation in the hip hop music industry; that it works is evident enough in American society.


Heroes Season 2, Episode 4Heroes Season 2, Episode 4

-I offer to take you anywhere,

Heroes Season 2, Episode 4Heroes Season 2, Episode 4

and this [Hollywood] is all you can come up with?
-Well, what can I say? I’m a cheap date.


In this case, Stiller mocks the Christian religion of the woman he intends to marry, and that of her conservative parents, by irreverently reciting the lyrics of a popular Christian song and gloating over the fact that they willingly put up with it, and in fact are asking him to do it.


Meet the ParentsMeet the Parents

-Greg’s Jewish, Dad. You know that.
-You’re telling me the Jews don’t pray, honey?

Meet the ParentsMeet the Parents

-You are such a good God to us … a kind and gentle, and … accommodating God.


Immediately after this he breaks her grandmother’s urn and causes their cat to urinate on her ashes right after her father reads him a sentimental poem which he has written in tribute to her. Later he expresses his desire to mate with his fiancée’s “good genes” by publicly embarrassing her mother with sexual come-ons. Ultimately Stiller’s mother (played by Barbara Streisand) is the one who corrupts the mother with her sexual suggestions.


Meet the Fockers

You’re so cute. They’ll forgive you anything.

Knocked UpKnocked Up
Knocked Up

-I love your curly hair. It’s so great. Do you, like, use products or anything?
-No, that’s … I use “Jew,” it’s called.

From Russia With LoveFrom Russia With Love

-Ridiculous, isn’t it?
-It’s absolutely crazy. Of course, girls do fall in love with pictures of film stars.


Apart from the obvious disparity in genetic factors based on natural selection, the punishment due any young Christian woman whose parents object to her dating a Jew on the basis of his self-professed atheism is that she is supposed to lose her friends and be verbally assaulted with petty, abusive insults, while the Jew responsible comes off looking good because he hasn’t instigated it, and in fact goes out of his way to remind the audience of his victimization as a Jew, as clearly laid out in Adventureland (2009):



-Come on. Worse things have happened to the Jews.
-You know, you don’t deserve to date Joel!


I mean, you’re an anti-Semitic asshole! What, do you, like, hate gay people too? Do you support apartheid? You are not my friend!


The same actor who plays the Jew in Adventureland is seen in Knocked Up as the Goy victim of the constant and unremitting verbal abuse of his friends, all of whom are Jews. This is one example of many how self-loathing Jews from the time of Karl Marx and Theodor Herzl have created the idea of “anti-Semitism” so they can falsely attribute their own ethnically motivated “hate crimes” to others, thereby fabricating a victim identity and exonerating themselves as the criminals. Between announcing his wishes to get in the pants of any ethnically European woman that will sleep with him, Seth Rogen extolls Spielberg’s Zionist propaganda piece Munich (2005) for its unapologetic depiction of the Jewish mentality, particularly in Eric Bana’s role as an Israeli who goes around senselessly murdering Arabs:


Knocked UpKnocked Up

Dude, every movie with Jews, we’re the ones getting killed. … If any of us get laid tonight it’s because of Eric Bana in Munich.


While it is already understood by the audience that these guys are all “losers” by society’s standards, they make no apologies about flaunting their “chosen” status which is invariably (albeit mistakenly) invoked to assert their alleged superiority among Christians:


Knocked UpKnocked Up
Knocked Up

-I’m glad I’m not Jewish.
-So are we.
-Yeah, so are we. You weren’t chosen for a reason.

Independence DayIndependence Day

-I’m not Jewish.
-Nobody’s perfect.


Of course, the only reason they get away with this is that in the minds of most people who call themselves Christians, Christ himself was a Satanist/Jew. The “Christian” establishment has been promoting this view in plain contradiction of scripture for centuries, even rewriting the scriptures themselves to justify it. The Satanists/Jews in Hollywood have merely latched onto it. Yet it becomes grossly apparent in Hollywood that only Jews are allowed to make fun of Jews, for the purpose of establishing the victim mentality, which thereby actually protects them from warranted attacks. Take You Don’t Mess with the Zohan (2008), for instance, where all of the main Arabs are played by Jews. Adam Sandler plays an Israeli Mossad agent who gets the sister of his Palestinian archnemesis to fall in love with him even while having sex with many (hundreds of) other women, with her knowledge.


You Don’t Mess With the Zohan

Of course you love me. I’m very good man.


Unlike Sandler who thinks of himself as and acts like a god, Ben Stiller always plays an idiot. Meet the Parents (2000) is no exception to this rule. Here we see him opposite the charming, handsome, rich, talented, kind, spiritual, blond Owen Wilson, who is the former lover of Stiller’s fiancée and her father’s choice for her as a husband. Stiller’s character is constantly ridiculed and made to look like a fool, especially in contrast to Wilson’s character, with the sole exception of when Wilson learns he is a Jew. In this case, instead of being made fun of, he gets compared to Jesus, Wilson’s own idol.


Meet the ParentsMeet the Parents

-It’s beautiful. So, what got you into carpentering?
-Carpentry? I guess I’d have to say Jesus.

Meet the ParentsMeet the Parents

He was a carpenter, and I figured if you’re gonna follow in someone’s footsteps, who better than Christ?

Meet the ParentsMeet the Parents

-Greg’s Jewish.
-Well, so was J.C.! Wow, you’re in good company then.


Every once in a while this subversive trend gets reversed by a foreign dramatization of the negativity of the Jewish influence on Western society, as in the case of the UK film An Education (2009), wherein the Jew is trying to seduce and corrupt a young British girl, whose overly tolerant and gullible parents, teachers and headmistress must set straight:


An EducationAn Education

-You are aware, I take it, that the Jews killed our lord?
-And you’re aware, I suppose, that our lord was Jewish?

An EducationAn Education
An Education

-We’re all very sorry about what happened during the war, but that’s absolutely no excuse for that sort of malicious and untruthful propaganda.


No one’s talked to me like that in 20 years!


Note that Bewitched (2005) began filming in 2004. This scene parallels the rise and fall of Disney CEO and COO Michael Eisner, who took over operations of the company in 1984. Eisner is the one who brought Jeffrey Katzenberg with him to Disney and put him in charge of Disney’s motion picture divisions. Exactly at this time, under Eisner’s express direction, Disney stopped producing any films which were not pushing the New Age agenda and focused mainly on its animation department.

Throughout the 1980s and 90s, Eisner and the company were both heavily criticized for making deliberate attempts to destroy family values in America. Roy E. Disney (son of Roy O. Disney, co-founder of the company with his brother Walt) resigned his post in 2003, lamenting that his family’s company had become “rapacious” and “soulless.” Eisner was widely accused by Disney’s own staff of forcing his homosexuality into the mainstream views of the publicly traded company, and during his chairmanship Disney hired far more homosexuals than any other multinational corporation on the planet. Commercial successes kept the company afloat in spite of all this, but Eisner was eventually forced out in 2004 when 43% of Disney’s shareholders voted him off the board of directors. A year later he also resigned as CEO of the company. Immediately after this, Disney moved to change its public image and corporate practices, which led to the acquisition of Pixar in 2006 and Marvel Entertainment in 2009. By 2005, with the Jews responsible for the rapacious subversion of family values gone, Disney had begun pre-production work on the highly celebrated Christianity-themed film Wall-E (2008). The Escape to Witch Mountain franchise was also successfully rekindled in 2009 after having been dormant since 1975.

Despite its detestable track record under Eisner and Katzenberg, virtually every film made by Disney, Pixar or Marvel now has overtly anti-establishment themes, unlike most of those of the “Big Five” in Hollywood. (The Big Five are Warner Bros. under Time Warner, Paramount under Viacom, Fox under the News Corporation, NBCUniversal under Comcast/GE, and Sony Pictures under the Sony Corporation. Disney is sometimes grouped with them as a sixth, as it controls about 15% of the North American market, but it is not historically seen as one of them.) Parents who are concerned about the miscegenation scheme and the homosexual or New Age influence of Disney’s animated films shouldn’t let their kids watch those from the Eisner era, such as The Little Mermaid (1988), Beauty and the Beast (1991), The Lion King (1994), Pocahontas (1995) and Atlantis: The Lost Empire (2001), but more recent computer-generated films like Ratatouille (2007) and Up (2009) have none of the insidious Jewish influence of the former era.

As for Katzenberg, when Eisner refused to promote him in 1994, he was fired for his insubordination and sued the company, settling out of court for $250 million. This gave him the leverage he desperately needed to co-found DreamWorks SKG with Steven Spielberg and David Geffen. (Katzenberg and Spielberg had previously worked together on the 1988 film Who Framed Roger Rabbit.) Katzenberg took his policy of insidious subterfuge with him to the new company, and DreamWorks now produces the vast majority of the pro-establishment animated films with subversive Satanic/Jewish themes, in opposition to Disney and Pixar.

It is no exaggeration to say that the only reason the American public still believes the ridiculous Zionist fairy tale of the Holocaust is that short of any material or historical evidence whatsoever, Spielberg has captured the popular imagination with several films—most notably Schindler’s List (1993) and Saving Private Ryan (1998)—while continuing to demonize the already adequately demonized Nazis, who took the fall for the spurious allegations, with his many WWII and WWII-era films such as 1941 (1979), Empire of the Sun (1987), Raiders of the Lost Ark (1981), Indiana Jones and the Last Crusade (1989), Flags of Our Fathers (2006) and Letters from Iwo Jima (2006). The reason for this, as anyone who watches Spielberg’s films can plainly see, is that throughout his long career he has been working on two separate agendas: reinforcing the existing Zionist propaganda, and the ET disclosure (both of which we will be examining closely throughout this book). But why is all this subterfuge even necessary, when people typically believe whatever lies their governments and media broadcasters tell them?


Spider-Man 2

It helps to maintain the illusion.


Nothing grabs our attention and pulls the strings of our hearts so much as a graphic depiction of the gross injustice of genocide. That’s exactly why the lie of the Holocaust was fabricated in the first place. The American government needed to justify its involvement in the European war after the fact, as well as its alliance with the Communist Soviet Union. Unlike Germany, the Soviet Union actually was exterminating people by the millions, including millions of Jews, but especially the more than 10 million Ukrainians who were ravaged by forced famine. That the academic establishment continues to ignore these facts alone suffices for proof of its total subversion and lack of objectivity regarding war crimes. However, even supposing the Nazis really were the “bad guys” of WWII, or that Adolf Hitler was in fact not a radical pacifist as clearly printed on the first page of his book outlining the ideology of National Socialism, and supposing that they really had instigated the war which found them being invaded by belligerent parties on all sides, that would still do nothing to establish the Rothschild-Zionist state in Palestine, so carefully planned by the Masons several centuries prior.

As early as WWI the “6 million” figure was being thrown around by Jews in various American newspapers, including The New York Times. The official number of alleged murders at Auschwitz-Berkenau has been quietly reduced from 4 of the 6 million to a mere 1.1 million without the overall number having changed at all. Meanwhile, Jewish almanacs show that there were more Jews in Europe after WWII than before. It would have been impossible to dispose of all the missing bodies, and there has not been a single shred of material evidence that has ever been put forth to show either that it happened or that the German military ever issued any order to such an effect at any level of command despite its policy of making 5 hard copies of every document and despite that Berlin was captured intact. On the other hand, it was well known at the time that the Third Reich’s “final solution” was to export the Jews to Madagascar, effectively giving them their own homeland.

It’s obvious that there is no truth to the Holocaust allegations, just like there is no truth to the Talmud’s claim that the Romans butchered “billions” of Jews in a single city in a single day. The sole reason for the continued deception is that the idea of a Zionist state was extremely unpopular back then and still remains so even in spite of widespread acceptance of the propaganda. Before WWII, less than 2% of the world’s Jews supported Zionism, and most followed their rabbis in the opinion that to try to set up a Jewish state in Palestine prior to the emergence of the Messiah was unnecessary and not even beneficial for the Jews, unjust to the Arabs, and blasphemous against God. But after seeing the purely fantastical portrayal of a very distressed Erik Lensherr being separated from his parents by brutal German soldiers in X-Men (2000), just before the camera pans over to a chimney, implying that, contrary to all reason and historical basis, such a chimney may have been used for burning the corpses of senselessly murdered Jews by the tens of thousands, our minds fill with horror and we shudder to think that we might actually question the legitimacy of the matter, as in doing so we would inevitably justify what is unjustifiable.





So ripe with cognitive dissonance and lack of historical precedence is the issue of the Holocaust that the Zionist establishment must continue its subtle and sometimes not-so-subtle indoctrination. Unlike every other historical matter, simply questioning its veracity can land a person in prison in some Western countries (Germany and Canada in particular), or make a public figure like Iran’s president Mahmoud Ahmadinejad one of the most hated people alive. Knowing this, we can hardly fault the filmmakers of X-Men for towing the line of the Holocaust propaganda, when the same film makes the same Jew the bad guy and even subtly tells us the significance of the lie when the camera incidentally pans over an Israeli interpreter who is translating the speech of a politician in America.



For those of you not familiar with the historical significance…


Unlike the more moderate but nevertheless anti-establishment Marvel Group, the Canadian makers of the Cube films have not pulled any punches in their exposition of the Satanic world government. We can plainly see who the government agents work for on this employee badge in Cube²: Hypercube (2003):


Cube²: Hypercube



The sad thing about all this is that these people have not only gotten away with their crimes against humanity for the last thousands years, but have actually become powerful billionaires and celebrities in the process. They sit in their ivory towers dictating their collective will to the masses they control, but this delicate balance of power is tentative and untenable. As soon as the still-unaware public learns what they are up to, they will all get lynched. This begs the question of why they are so bold in their presentation, the answer to which, of course, is that they know they can get away with it. London in particular is going to be a volatile and unsafe place for Zionists and Jews in 2012 if the British public ever figures out what’s being done and how their country is being used to establish the New Jerusalem of the New World Order.


From HellBill and Ted’s Bogus Journey

-If those words are seen, not a Jew in London will be safe.
-I love show business!

Knocked UpKnocked Up

-This is sick. This is a sick movie. That’s a lot of responsibility to be joking about. That’s not funny.

Knocked UpKnocked Up

I got to turn this off. It’s freaking me out.
-Look at this one [this movie, Knocked Up]. Look at it.

Knocked UpKnocked Up

It is beautiful and it feels amazing.
-I should’ve read the baby books [i.e., to the audience: Watch the family movies].

Knocked UpKnocked Up
Knocked Up

-Why didn’t you read the baby books?
-‘Cause then it’s real, you know?
-Dude, it’s real whether or not you read those books.


Seth Rogen’s character is essentially saying that if he sees how malicious and subversive the movie is, it won’t seem like it’s just his imagination, and he won’t be able to deny the truth of it, so he turns it off instead. By Paul Rudd’s logic, it’s real whether or not people watch the films, and whether or not any such films are even being made. This subversion has been going on for centuries. In fact, it’s so obvious and so deeply embedded in our culture that these same films routinely use sarcasm to make fun of people who can’t see the maliciously subversive nature of the matter in question.


Little FockersKnocked Up

-No, no, no … that’s not chicanery and subterfuge.
-This is Hollywood. We don’t like liars.

Little FockersLittle Fockers

Okay, that’s an interesting joke. … Why don’t we just stick with the truth?


Speaking of the truth, The Mummy (1999) is perhaps the boldest of the anti-Zionist films produced in Hollywood and worthy of note, which is ironic considering that it stars Rachel Weisz. Here we see Beni (played by Kevin J. O’Connor) selling his soul to Imhotep (representing the Devil) as a Jew, after having tried to save himself by appealing to the token symbols of Christianity, Islam, Buddhism, etc.


The MummyThe Mummy

[Christian prayer]
-May the good Lord protect and watch over me, as a shepherd watches over his flock.

The MummyThe Mummy

[Muslim prayer]
-No? Okay …

The MummyThe Mummy

[Buddhist chanting]

The MummyThe Mummy

[Jewish prayer]
-The language of the slaves …

The MummyThe Mummy

I may have use for you. And the rewards

The MummyThe Mummy

will be great.
-My prince.

The Men Who Stare at GoatsThe Omega Code

-I don’t know what to say. This stuff is amazing.
-I’m going to tell you something to which few are yet privy.


The mainstream media in America, and to a large extent in other countries, are owned and operated by the same corporate conglomerates as the Big Five in Hollywood. (The exception among television networks, ABC, is owned by Disney.) As news sources, they may not be widely recognized as constantly spouting lies, but Hollywood is notorious for it. The public’s fascination with news programs and news stations shows that it’s not a lack of interest which makes the public ignorant, but rather the subversion of its channels of information. What people tend to not realize is that the image they have of Hollywood extends into, and in fact encompasses, the other media: radio, newspapers, magazines and television.


L.A. Confidential

Once you whet the public’s appetite for the truth, the sky’s the limit.


The opening scene from L.A. Confidential (1997) tells it like it is, as do other films such as Adventureland (2009), Due Date (2010), and Bewitched (2005):


L.A. ConfidentialL.A. Confidential

It’s Paradise on Earth. That’s what they tell you, anyway,

L.A. ConfidentialL.A. Confidential

because they’re selling an image. They’re selling it through movies, radio and television.


Yeah, well, people are getting ripped off.

Due Date

Nobody who calls themselves ‘Hollywood’ has ever made it in Hollywood.


Anyone can act. If I can act, you can act.


Many people dream of “making it big” in Hollywood. What sets the Hollywood actors and actresses apart from the masses is not their cunning ability, but their willingness to sell their souls. The image they sell appeals to our most basic and animalistic impulses as humans, the same way that the news programs appeal to our thirst for knowledge. Sex sells. So does violence. The more gratuitous it is without meriting an NC-17 or even an R rating, the more likely it is to sell. What doesn’t sell is inaction, or prudence and decency.


Never Say Never AgainNever Say Never Again

-Things have been awfully dull ‘round here. I hope we’re going to have some gratuitous sex and violence.
-So do I.

Heroes Season 3, Episode 14

Well, you know the media. They like new and shiny.


Ironically, the formulaic and sophomoric approach to filmmaking means that there is seldom anything new in Hollywood and that most of what we see is the result of turning ideas that have been around for decades, if not centuries, into films, and much of the time the films are remakes. The major film studios have a policy of “If it’s not broke, don’t fix it.” Not only that, but were they ever to diverge from the old symbols and plot devices, the film industry and the Masons and Jews behind it would lose their influence, because the demand for a constant barrage of “bigger and better” means that very few people watch the old films anymore. Hence we see the same themes and motifs going all the way back to Metropolis (1927) in the silent days of filmmaking right up to the present day, and this process will only end when Hollywood itself ceases to exist.


L.A. Confidential

But nothing too original, because this is Hollywood.


Some have said it’s a crass attempt by the network to market nostalgia rather than take a risk on new ideas.


Before we get into the detailed descriptions of what it is that’s being marketed, we offer the following common-sense advice to all conscientious people who are interested in uncovering the truths behind the mysteries of the secret societies and the Satanic establishment which does their bidding: Don’t let your kids sit in front of the television and have that be the primary or even secondary source of their upbringing. The values they will learn will ultimately send them headlong into death, and they will emulate what they see on a deeply subconscious level. So will you if you subject yourself to it. In fact, it is better to stay away from these people entirely, but if you’re going to subject yourself to their influence, at least have the courage to stand up for yourself and assert your natural rights to call them out on their lies and to keep your own identity.


Grown UpsGrown Ups

Hey, Dad, we were at the Spielbergs’ house yesterday. They have a 150-inch TV. Can we get one of those?


But understand this, that in the last days there will come times of difficulty. For people will be lovers of self, lovers of money, proud, arrogant, abusive, disobedient to their parents, ungrateful, unholy, heartless, unappeasable, slanderous, without self-control, brutal, not loving good, treacherous, reckless, swollen with conceit, lovers of pleasure rather than lovers of God, having the appearance of godliness, but denying its power. Avoid such people. For among them are those who creep into households and capture weak women, burdened with sins and led astray by various passions, always learning and never able to arrive at a knowledge of the truth. 2 Timothy 3:1-7


Knocked UpKnocked Up

Who am I to tell you that that’s wrong? It’s not wrong. It’s who you are … and just because we’re two nice people doesn’t mean we should stay together.


Now, we have already discussed a great deal of information from a broad perspective in the introduction to this book. Most of it we will not touch on again, but the major premises will be taken for granted from this point on. It may be helpful to recap and reassert a few points, and to bear them in mind while reading through the succeeding sections.

Firstly, the universe exists as an expression of the divine will. Everything that we see is a symbol intended to leave us with a subconscious impression of the divine order, in order that we might gain consciousness. The symbols and even their accompanying descriptions may defy reason, but that’s only because they transcend it. (Truth transcends finite intellect.) However, they need to be studied and contemplated before their meanings can be discerned and used to produce consciousness.



He never does this in secret. There’s a reason we’re the audience.


Secondly, the symbols we see around us are the ones that exist in nature, and authorship of these symbols and their meanings is therefore only attributable to God as the source of nature. The Masonic symbols and the Masonic interpretations of existing symbols are all either usurpations of the divine order (when they are metaphysically accurate), or else perversions of it (when they are false or inaccurate). More importantly, they have a deliberate agenda regarding anyone who is outside their group (and in fact the majority within it as well), and it is to confuse, deceive and mislead, not to teach. Their contempt and hatred for the rest of humanity is self-evident, but it warrants reminding.


From HellFrom Hell

These symbols … the mitre, the pentacle star …

From HellFrom Hell

even someone as ignorant and degenerate as you can sense that they course with energy and meaning.


Lastly, knowledge is power. The Holy Bible confirms this in its association of logic with God, stating that all that has been made has been made by the Word. Words are symbolic expressions, which means that the powers of creation are readily available to conscious individuals, to be used for good or for evil. To combat the evil, it is necessary to study the Word and comprehend its meaning. If we substitute the synchromystical code (God’s creation) for the “Bible Code” (Jewish inference) presented here, we may find the description provided by Dr. Gillen Lane (Casper Van Dien) in The Omega Code (1999) to be most agreeable:

Throughout the ages, man has pillaged Jerusalem’s ancient artifacts in search of supernatural power. That quest continues as scholars seek to unlock one of the most mysterious relics of all … The Bible Code—a mathematical phenomenon whose hidden messages are said to contain the whole of human history. Yet some are using the latest technology to scour the Bible Code for an even darker secret—the key to Jerusalem. For it has been foretold in the apocalyptic books of Daniel and Revelation that he who controls Jerusalem in the last days will control the world …

Crisscrossing the Torah is a code of words and phrases that not only reveals our past and present, but foretells our future. Some even believe it contains the blueprints of the universe. See, after removing all the spaces and punctuation [non-critical and circumstantial elements of the story, such as characters and dialog], hidden words appear by skipping equal numbers of letters … Most amazingly, in the book of Daniel an angel tells him to seal up the book until the End of Days, but Rostenberg [famed stone,’ i.e. Grail stone’-town] may have found the key to unlock it. See, he believed the Bible was a holographic computer program, and instead of 2 dimensions, it should be studied in 3. If this could be achieved, the code would actually feed us prophecies of our coming future. Anyway, the reason I discuss this in my book is because what we want to believe as religion traces back to myths borne of our collective [un]consciousness.


While it may not be repeated every so often throughout the book, the code we are looking for is that of the essence of life. As we have seen, the key to this code is Genesis, but it is also Revelation. The film Revelation (2001), which we will be citing a few times for its explanations of certain alchemical symbols, is more specific, telling us that it is actually palingenesis, or ‘rebirth.’ This is an adventure story, and if you like cryptography, you are invited to participate in the adventure of rediscovering what has been lost, and ultimately in the act of creation.



-We need your expertise with codes.
-What kind of codes?
-Ancient codes … that’s all I can say. You’ve loved cryptography since before that photo was taken.




But let us never forget that there are two sides to this story, and adventure stories always have an element of danger. Adventure implies uncertainty, and no adventure is free of risk. The invitation to aid in the quest to uncover the divine truths which can only be discerned sychromystically is an invitation to prevent Lucifer and his minions from achieving their dream of total victory over mankind.



You know, I really could use your help in deciphering all this. Together we could figure out his [Satan’s] plan for the city [the world, or the New Jerusalem] and stop it.


Finally, let us not forget also that we are not alone in this quest, and in fact are being helped along the way. There are people even in Hollywood itself who are actively working against the establishment to educate and indoctrinate the masses with a counter-thesis to the New World Order.


Scott Pilgrim vs. the WorldScott Pilgrim vs. the World

-Can’t we do our own secret shows?
-All our shows are secret shows.

Diamonds Are Forever

The trick is, of course, to have the code.

From Russia With LoveFrom Russia With Love

Well, I don’t know too much about cryptography, sir, but a Lektor [lector is Latin for ‘reader,’ and carries a religious connotation, and lektor means someone who speaks a Slavic language with native fluency—Slavic means ‘slave,’ and linguistics can be used to show that Satans slaves, the Ashkenazi Jews, are primarily of Slavic origins] could decode their top secret signals.

Live and Let Die

They tell nothing to those who cannot see.

Superman: The MovieSuperman: The Movie

-Some people can read War and Peace and come away thinking it’s a simple adventure story.

Superman: The MovieSuperman: The Movie

Others can read the ingredients on a chewing gum wrapper and unlock the secrets of the universe.

Superman: The MovieSuperman: The Movie

-What has chewing gum got to do with the secrets of the universe?
-Right. … O Lord, you gave them eyes, but they cannot see.

Ghostbusters 2Ghostbusters 2

There are some things that go way beyond human understanding—things that other people don’t want to know about. That’s where we come in.

Pan’s LabyrinthPan’s Labyrinth

Because although God sends us the message, it is our task to decipher it.

The Men Who Stare at GoatsThe Men Who Stare at Goats

Now, sometimes events in life give an individual clues as to where their destiny lies.

The MatrixThe Matrix

There’s nothing I can say that will explain it for you. See for yourself.

The Men Who Stare at Goats

Stop saying mindless clichés and see into the future!


Buried within the message itself is the key to decoding it.

Stranger Than FictionStranger Than Fiction

-I’m somehow involved in some sort of story, like there are other parts of the story not being told to me,

Stranger Than FictionStranger Than Fiction

and I need to find out what those other parts are before it’s too late.
-Before the story concludes with your death.

A View to a KillFinal Destination 2

-Follow the signs.
-You have to follow the signs.

Final Destination 2Final Destination 2

“New life defeats death … Follow the signs?”
[John Q. Zero (everyone, nobody in particular), 24 hours a day, 7 days a week]


You are about to experience the awe and mystery which reaches from the inner mind to The Outer Limits.

Stranger Than FictionStranger Than Fiction

But you have to understand that this isn’t a philosophy or a literary theory or a story to me. It’s my life!


If this discovery is confirmed, it will be one of the most stunning insights into our universe


that science has ever uncovered. Its implications are as far-reaching


and awe-inspiring as can be imagined. Even as it promises answers to some of our oldest questions,


it poses still others even more fundamental.


We will continue to listen closely to what it has to say


as we continue the search for answers, and for knowledge


that is as old as humanity itself, but essential to our people’s future.

Transformers: Revenge of the Fallen

Beginning, middle, end. Facts, details, condense, plot, tell it.


Give me a chance. I may be able to help you find some answers … and I give you my word that I will use all my power to help you piece together what you’ve lost, and what you’re looking for.

The Secret of Moonacre

But, listen. I’ve so much to tell you.

The Matrix

And then I’ll show these people what you don’t want them to see.